Kelpie the Boy Wizard
60th Anniversary
In days of old, when King Arthur reigned over Britain, there was at royal Camelot an apprentice sorcerer by the name of Kelpie.
Together with his venerable master, the great and powerful Merlin, Kelpie uses his magic to protect the kingdom from evil doers including The Raven and the Weird Sisters of Doon!
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In days of old, when King Arthur reigned over Britain, there was at royal Camelot an apprentice sorcerer by the name of Kelpie.
Together with his venerable master, the great and powerful Merlin, Kelpie uses his magic to protect the kingdom from evil doers including The Raven and the Weird Sisters of Doon!
First published sixty years ago by Odhams press in Wham!, the complete saga of Kelpie the Boy Wizard channels Arthurian legend through a Harry Potter filter, presented through the gorgeous black and white artwork of John Burns.
Together with his venerable master, the great and powerful Merlin, Kelpie uses his magic to protect the kingdom from evil doers including The Raven and the Weird Sisters of Doon!
First published sixty years ago by Odhams press in Wham!, the complete saga of Kelpie the Boy Wizard channels Arthurian legend through a Harry Potter filter, presented through the gorgeous black and white artwork of John Burns.
Detaljer
- Forlag
- Rebellion Publishing Ltd.
- Innbinding
- Innbundet
- Språk
- Engelsk
- Sider
- 96
- ISBN
- 9781837861705
- Utgivelsesår
- 2024
- Format
- 28 x 22 cm
Om forfatteren
John Burns’ painted art has graced several 2000 AD series, notably Judge Dredd and Nikolai Dante, as well in as his own co-creation, The Bendatti Vendetta. He has also contributed to Black Light, Doctor Sin, The Scarlet Apocrypha, Vector 13 and Witchworld. Outside the Galaxy’s Greatest Comic, he has pencilled Eclipse’s ESPers and the James Bond miniseries, A Silent Armageddon.
Ken Mennell had an extensive career as an editor for Fleetway, working on a variety of classic comics. He had a hand in creating several strips including The Steel Claw and Black Max.
Ken Mennell had an extensive career as an editor for Fleetway, working on a variety of classic comics. He had a hand in creating several strips including The Steel Claw and Black Max.