«This book fills a gap. Finally, someone who has been entrusted with the evaluation, acquisition, and use of digital objects has summarized his tasks from a technical perspective in a well-thought-out text and backed up theory . . . [Owens] manages to guide the readers in an understandable and clear way through unfamiliar terrain. The book is therefore recommended to all beginners in this area, but also "old hands" will recognize many of their own experiences or maybe learn something else.
—Dr. Kai Naumann, Archivar»

«Trevor Owens has written a thoughtful and thought-provoking book . . . Owens provides important guidance on taking a step back to gain perspective on what one is trying to accomplish with the preservation of a digital object or collection. That is, to see preservation not merely as a technological process to be applied to all objects, but as a craft to be applied as appropriate in the context of particular digital collections and their archival purpose.
—Larry Weimer, Head of Archival Processing, New York Historical Society, Metropolitan Archivist»

«The Theory and Craft of Digital Preservation is a thoughtful, well-written, and extremely readable book. Owens draws from many cultures and disciplines to illustrate and define how we have preserved and will continue to preserve digital information.
—Sharmila Bhatia, Mid-Atlantic Archivist»

«Anyone looking for an approachable introduction to digital preservation, or a new perspective on persistent digital quandaries, will find something useful in this book.
—Archival Issues»

«A thoughtful guide that will launch a thousand preservation projects. It will inspire many historians not only to approach their sources in productive new ways, but also to better appreciate the sophisticated contributions of those who tend the archives on which we depend. It is highly recommended.
—American Historical Review»

«Anyone looking for an approachable introduction to digital preservation, or a new perspective on persistent digital quandaries, will find something useful in this book.
—Carli Lowe, San José State University, Archival Issues»