Ballet in the Cold War
«Ballet in the Cold War offers a vibrant portrait of Cold War cultural exchange, brimming with insights into cultural politics, institutions, and the social meanings of music and dance. This engaging and carefully researched study is essential reading for anyone interested in the arts during the Cold War and the effects of culture on global politics.»
Kevin Bartig, Michigan State University
In 1959, the Bolshoi Ballet arrived in New York for its first ever performances in the United States. The tour was part of the Soviet-American cultural exchange, arranged by the governments of the US and USSR as part of their Cold War strategies. Les mer
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The tours opened up space for genuine appreciation of foreign ballet. American fans lined up overnight to buy tickets to the Bolshoi, and Soviet audiences packed massive theaters to see American companies. Political leaders, including Khrushchev and Kennedy, met with the dancers. The audience reaction, screaming and crying, was overwhelming.
But the tours also began a series of deep misunderstandings. American and Soviet audiences did not view ballet in the same way. Each group experienced the other's ballet through the lens of their own aesthetics. Americans loved Soviet dancers but believed that Soviet ballets were old-fashioned and vulgar. Soviet audiences and critics likewise appreciated American technique and innovation but saw American choreography as empty and dry.
Drawing on both Russian- and English-language archival sources, this book demonstrates that the separation between Soviet and American ballet lies less in how the ballets look and sound, and more in the ways that Soviet and American viewers were trained to see and hear. It suggests new ways to understand both Cold War cultural diplomacy and twentieth-century ballet.
Detaljer
- Forlag
- Oxford University Press Inc
- Innbinding
- Innbundet
- Språk
- Engelsk
- ISBN
- 9780190945107
- Utgivelsesår
- 2020
- Format
- 16 x 24 cm
Anmeldelser
«Ballet in the Cold War offers a vibrant portrait of Cold War cultural exchange, brimming with insights into cultural politics, institutions, and the social meanings of music and dance. This engaging and carefully researched study is essential reading for anyone interested in the arts during the Cold War and the effects of culture on global politics.»
Kevin Bartig, Michigan State University
«Supported by an exacting scholarly apparatus, this is a valuable resource for those interested in dance, choreography, and the history of performance and the arts and diplomacy. Bravissima!»
M. E. Snodgrass, CHOICE
«Supported by an exacting scholarly apparatus, this is a valuable resource for those interested in dance, choreography, and the history of performance and the arts and diplomacy. Bravissima! Summing Up: Essential.»
CHOICE
«Dr. Searcy's research is invigorating. She guides us with a sure hand through the political thickets to a deeper appreciation of the art. Highly recommended.»
Danielle Fosler-Lussier, The Ohio State University