Interpretation of Dreams
«Between them, Hammond and Thonemann have furnished us with an outstanding resource.»
Malcolm Heath, Greece & Rome
'Dreams are products of the mind, and do not come from any external source'
Artemidorus' The Interpretation of Dreams (Oneirocritica) is the richest and most vivid pre-Freudian account of dream interpretation, and the only dream-book to have survived complete from Graeco-Roman times.
Les mer
174,-
Paperback
Sendes innen 7 virkedager
Logg inn for å se din bonus
'Dreams are products of the mind, and do not come from any external source'
Artemidorus' The Interpretation of Dreams (Oneirocritica) is the richest and most vivid pre-Freudian account of dream interpretation, and the only dream-book to have survived complete from Graeco-Roman times. Written in Greek around AD 200, when dreams were believed by many to offer insight into future events, the work is a compendium of interpretations of dreams on a wide range of subjects relating to the natural, human, and divine worlds. It includes the meanings of dreams
about the body, sex, eating and drinking, dress, the weather, animals, the gods, and much else.
Artemidorus' technique of dream interpretation stresses the need to know the background of the dreamer, such as occupation, health, status, habits, and age, and the work is a fascinating social history, revealing much about ancient life, culture, and beliefs, and attitudes to the dominant power of Imperial Rome.
Martin Hammond's fine translation is accompanied by a lucid introduction and explanatory notes by Peter Thonemann, which assist the reader in understanding this important work, which was an influence on both Sigmund Freud and Michel Foucault.
Artemidorus' The Interpretation of Dreams (Oneirocritica) is the richest and most vivid pre-Freudian account of dream interpretation, and the only dream-book to have survived complete from Graeco-Roman times. Written in Greek around AD 200, when dreams were believed by many to offer insight into future events, the work is a compendium of interpretations of dreams on a wide range of subjects relating to the natural, human, and divine worlds. It includes the meanings of dreams
about the body, sex, eating and drinking, dress, the weather, animals, the gods, and much else.
Artemidorus' technique of dream interpretation stresses the need to know the background of the dreamer, such as occupation, health, status, habits, and age, and the work is a fascinating social history, revealing much about ancient life, culture, and beliefs, and attitudes to the dominant power of Imperial Rome.
Martin Hammond's fine translation is accompanied by a lucid introduction and explanatory notes by Peter Thonemann, which assist the reader in understanding this important work, which was an influence on both Sigmund Freud and Michel Foucault.
Detaljer
- Forlag
- Oxford University Press
- Innbinding
- Paperback
- Språk
- Engelsk
- ISBN
- 9780198797951
- Utgivelsesår
- 2020
- Format
- 20 x 13 cm
Anmeldelser
«Between them, Hammond and Thonemann have furnished us with an outstanding resource.»
Malcolm Heath, Greece & Rome
«Martin Hammond's characteristically fluent, lucid, and (importantly) accurate translation is supplied with notes on the Greek text and an outstandingly useful sixty-two-page index; Peter Thonemann contributes an informative introduction and explanatory notes on the content ... Between them, Hammond and Thonemann have furnished us with an outstanding resource.»
Malcom Heath, Greece & Rome
«These two vibrant books represent a landmark in the study of Artemidorus. They will be read with astonishment by psychoanalysts and excitement by social and cultural historians. They will substantially raise the profile of dream studies within Classical scholarship and, best of all, the public's ability to access what Thonemann enticingly describes as "the magnificent, credulous, labyrinthine, pedantic and endlessly fascinating Oenirocritica of Artemidorus of Daldis".»
Edith Hall, The Times Literary Supplement12/06/2020
«Hammond's accessible and affordable translation is a joy to read.»
Anactoria Clarke, Classics for All