In 2010, the Newseum in Washington D.C. finally obtained the suit O. J. Simpson wore in court the day he was acquitted, and it now stands as both an artifactin their Trial of the Century exhibit and a symbol of the American medias endless hunger for the criminal and the celebrity. This event serves as a launching point for Ishmael Reeds Juice!, a novelistic commentary on the post-Simpson American media frenzy from one of the most controversial figures in American literature today. Through Paul Blessingsa censored cartoonist suffering from diabetesand his cohortsserving as stand-ins for the various mediums of artIshmael Reed argues that since 1994, O. J. has become a metaphor for things wrong with culture and politics. A lament for the death of print media, the growth of the corporation, and the process of growing old, Juice! serves as a comi-tragedy, chronicling the increased anxieties of post-race America.