In Flux
American Jewelry and the Counterculture
Susan Cummins ; Damian Skinner ; Cindi Strauss
In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced
by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of
eastern religions, thousands followed the advice to "turn on, tune in, drop out," bringing about a counterculture in the process. Les mer
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Vår pris:
432,-
(Innbundet)
Fri frakt!
Leveringstid: Sendes innen 7 virkedager
På grunn av Brexit-tilpasninger og tiltak for å begrense covid-19 kan det dessverre oppstå forsinket levering.
In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced
by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of
psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice
to "turn on, tune in, drop out," bringing about a counterculture in the process. For many American jewellers, these events
and values found their way into the studio, as well as affecting how they lived, worked, and loved. Jewellers, like other
studio craftspeople, rode the wave of popularity for the hand-made and authentic that was at the heart of the counterculture.
In Flux is the story of how their jewellery contributed to the raucous, contradictory, and enthusiastic clamour for a new kind of society that made the 1960s and 1970s so extraordinary.
In Flux is the story of how their jewellery contributed to the raucous, contradictory, and enthusiastic clamour for a new kind of society that made the 1960s and 1970s so extraordinary.