Doll's House
«Simon Stephens's agile new version [is] . . . quick and clear and full of subtle touches»
Susannah Clapp, Guardian
'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.'
Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage.
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'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.'
Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage.
This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012. It was updated with minor changes in 2013.
Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage.
This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012. It was updated with minor changes in 2013.
Detaljer
- Forlag
- Methuen Drama
- Innbinding
- Paperback
- Språk
- Engelsk
- Sider
- 128
- ISBN
- 9781472526410
- Utgivelsesår
- 2013
- Format
- 20 x 13 cm
Anmeldelser
«Simon Stephens's agile new version [is] . . . quick and clear and full of subtle touches»
Susannah Clapp, Guardian
«A sensible, sensitive and spirited version . . . that chimes with the debt-laden times we’re trapped in and poses still-pressing questions»
Dominic Cavendish, Telegraph
«The supple new version of the text by Simon Stephens is [a] great plus point . . . in this definitive take on a classic»
Fiona Mountford, Evening Standard
«An astute, often savagely funny version by Simon Stephens . . . And as the doll at the play's heart and hearth cracks like porcelain and the woman emerges, it's with a force that's shattering.»
Sam Marlowe, Metro
«Simon Stephens's new English-language version of the text . . . makes the characters' anxieties feel contemporary despite the period dress. "Feminism" may not have been in Ibsen's vocabulary, but he was undoubtedly concerned with the roles we all play and why.»
Financial Times
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