Hjartet i skalkeskjulet

essays

Film og fortelling

Cronenberg on Cronenberg

Story

Gilliam on Gilliam

Fra filmrull til harddisk

film & kino i hundre år

Kjærlighet som religion

lidenskap og lengsel i film og litteratur på 2000-tallet

Sensurert

historien om Statens Filmkontroll

Den levende fortiden

filmhistorie og filmhistoriografi

A disturbance in the force

imperiet slår sprekker

Norsk filmhistorie

spillefilmen 1911- 2011

Filmens klassikere

Project Cinema City

Spectacles of Blood – A Study of Masculinity and Violence in Postcolonial Films

Fatal Alliance

A Century of War on Film

Beyond Realism

Naturalist Film in Theory and Practice

Film, Form, and Culture

Transnational German Film at the End of Neoliberalism

Radical Aesthetics, Radical Politics

Cocktails with George and Martha

Movies, Marriage, and the Making of Who’s Afraid of Virginia Woolf?

From Blitz to Glitz

The Autobiography of Jess Conrad OBE

Metamodern Slasher Film

Sinful Maternal

Motherhood in Possession Films

Oscar Wars

A History of Hollywood in Gold, Sweat, and Tears

Refocus: the Films of Lawrence Kasdan

Bressonians

French Cinema and the Culture of Authorship

Money Behind the Screen

A History of British Film Finance, 1945-1985

Demons of the Mind

Psychiatry and Cinema in the Long 1960s

On Feminist Films

The South London Cultural Review Volume 2

Reimagining Israel and Palestine in Contemporary British and German Culture

Resistant Reproductions

Pregnancy and Abortion in British Literature and Film

Geopolitical Shakespeare

Western Entanglements from Internationalism to Cold War

Afterlives of Frankenstein

Popular and Artistic Adaptations and Reimaginings

Peggy Webling and the Story behind Frankenstein

The Making of a Hollywood Monster

Licence to Thrill

A Cultural History of the James Bond Films

Mädchen in Uniform

Epistemology of Criminological Cinema