Operasamtaler

Ragnar Ulfung, Knut Skram og Terje Stensvold

Operasjefen

Bjørn Simensens liv og karriere

Solkongens opera

den franske tragédie en musique 1673-86

Opera

en håndbok

Det teatrale oratoriet

Händels verksflora 1707-57 : scenografi, dramaturgi, performance

Fra drøm til scene

om sang og karriere

La ordene klinge!

Operahøgskolens historie 1964 - 2014

Thora

fra Rimol til Bjørvika : historien om operaen Thora av Hjalmar Borgstrøm bygd på hendingene omkring drapet på Håkon jarl i 995

Operaen

11 fotografer - 12. april 2008 : the opening of the world's new opera house in Oslo

Opera og operette i Kristiania

Opera, operette og ballett gjennom tidene

Opera in the Viennese Home from Mozart to Rossini

Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments

Trash Music

Rape at the Opera

Staging Sexual Violence

Screening the Operatic Stage

Television and Beyond

Martin Crimp’s Power Plays

Intertextuality, Sexuality, Desire

Women in Nineteenth-Century Czech Musical Culture

Apostles of a Brighter Future

Staging Voice

Said on Opera

Callas Imprint: A Centennial Biography

Latin America and the Transports of Opera

Fragments of a Transatlantic Discourse

Ben and Imo

Opera for Everyone

The Industry's Experiments with American Opera in the Digital Age

Music Glocalization and the Composer

The Case of Franz Xaver Scharwenka (1850-1924)

French Musical Life

Local Dynamics in the Century to World War II

Night at the Opera

Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi

Poetics of Handel's Operas

Sing Me Forgotten

Kickstarting Italian Opera in the Andes

The 1840s and the First Opera Companies

Why Beethoven

A Phenomenon in 100 Pieces

Women in American Operas of the 1950s

Undoing Gendered Archetypes

Music, Books and Theatre in Eighteenth-Century Exton

A Context for Handel's ‘Comus’

Picture a day like this (Limited Edition Full Score)

Cambridge Companion to The Magic Flute

Opening Doors: Orchestras, Opera Companies and Community Engagement