Theatre and the USA

Ethical Agility in Dance

Rethinking Technique in British Contemporary Dance

Space, Mirrors, Subjectivity in Angela Carter’s Fiction

Theatre and Tourism

Art of Sound

Creativity in Film Sound and Electroacoustic Music

Gunplays

Five Plays on Inner City Violence and Guns

Music, Books and Theatre in Eighteenth-Century Exton

A Context for Handel's ‘Comus’

Broadcast Voice Performance

Staging Difficult Pasts

Transnational Memory, Theatres, and Museums

Lessons from our Students

Meditations on Performance Pedagogy

Letters

Ibsen in the Decolonised South Asian Theatre

Dramatic Apparitions and Theatrical Ghosts

The Staging of Illusion Across Time and Cultures

Livecasting in Twenty-First-Century British Theatre

Nt Live and the Aesthetics of Spectacle, Materiality and Engagement

Realisms in East Asian Performance

Routledge Handbook of Art, Science, and Technology Studies

Commercial Dance

An Essential Guide

Acting

The Basics

Chekhov’s Sakhalin Journey

Doctor, Humanitarian, Writer

Toward a Just Pedagogy of Performance

Historiography, Narrative, and Equity in Dramatic Practice

Globalisation, Commodification and Cultural Production in Africa

Contemporary Theatre in Sierra Leone

Shakespeare's Visionary Women

Historically Responsive Storytelling

How Contemporary Western Theatre is Rediscovering its Roots

Critical Pedagogy and Active Approaches to Teaching Shakespeare

Trish Arnold

The Legacy of Her Movement Training for Actors

Brainteasers for Broadway Geniuses

500 Puzzlers to Perplex Even the Biggest Fans

Fixing the Musical

How Technologies Shaped the Broadway Repertory

History of Latinx Performing Arts in the U.S.

Volume II

Shakespeare and Place-Based Learning

Bourdieu in the Studio

Decolonising and Decentering Actor Training Through Ludic Activism

Theatre Couple in Early Modern Italy

Self-Fashioning and Mutual Marketing

Dramaturgy of History

Different Faces of Politics in Literature and Music

Digital Transformation and Cultural Policies in Europe

Lives in Motion

Celebrating Dance in Thailand

Theatre and Dramaturgy

Atlas of Performing Culture

Afrikinesis

A Paradigm for Research on African and African Diaspora Dance

Meaning in the Midst of Performance

Contradictions of Participation

Assessment in the Drama Classroom

A Culturally Responsive and Student-Centered Approach

Conversations with Women in Musical Theatre Leadership

Butoh, as Heard by a Dancer

Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers

Seriously Mad

Mental Distress and the Broadway Musical

Shakespeare and Indian Nationalism

The Bard and the Raj

World Dance Cultures

From Ritual to Spectacle

FORCE Fabric

How to Draw Clothes

America Under the Influence

Drinking, Culture, and Immersive Performance

Cambridge Companion to British Theatre of the First World War

Theatricality of the Closet

Fashion, Performance, and Subjectivity between Victorian Britain and Meiji Japan

Something Wonderful Right Away

The Birth of Second City—America's Greatest Comedy Theater

"Shards" as Autoethnographic Performance

A Story of Jewish Emigration, Immigration, and the Search for Home

Teaching with Interactive Shakespeare Editions

Leading Lady

A Memoir of a Most Unusual Boy

Hollow Crown

Shakespeare on How Leaders Rise, Rule, and Fall

Gut Knowledges

Culinary Performance and Activism in the Post-Truth Era

Advances in Techno-Humanities

Case Studies from Culture, Philosophy and the Arts

Merchant of Venice

Stanislavsky and Race

Questioning the “System” in the 21st Century

Dissident Politics in Václav Havel’s Vanek Plays

Who Is Ferdinand Vanek Anyway?

Performance in Popular Culture

Not Just George

Blindness and Spectatorship in Ancient and Modern Theatres

Towards New Ways of Looking and Looking Back

Fifty Key Theatre Designers

Wartime Shakespeare

Performing Narratives of Conflict

Kattaikkuttu

A Rural Theatre Tradition in South India

Shakespeare’s Contested Nations

Race, Gender, and Multicultural Britain in Performances of the History Plays

Theatre Revivals for the Anthropocene

Medien Und Wirklichkeit Im Kino Fran�ois Ozons Und Pedro Almod�vars Um 2000

Europaeische Avantgarde, Experimentalfilm und US-amerikanischer Spielfilm

Inszenierungen des Koerpers im Film der 1920er, -40er und -50er Jahre

Teaching Shakespeare and His Sisters

An Embodied Approach

Performance

The Ethics and the Politics of Conservation and Care, Volume I