«De Waal's ability to conjure up the personality of a character long dead through his possessions is a joy... A moving picture of the Jewish condition in Europe, always ready for flight once the scapegoating begins again, is made starkly apparent... In de Waal's hands objects stand for much bigger truths, of questions of loss and injustice»

Oliver Basciano, ArtReview

«I was deeply moved... De Waal has found a way to meditate on exile, migration and polarisation that feels painfully relevant»

Sunday Times

«This is a marvellous book, elegant, tender, loving, appreciative, disturbing, a reminder of both the fragility and resilience of high culture, indeed civilisation»

Scotsman

«De Waal is a writer of grace and restlessly enquiring intelligence, and Letters to Camondo succeeds admirably... Edmund de Waal's beautiful book opens a window onto an entire lost world»

Evening Standard

«De Waal's sentences like to take the historical weight of the objects he describes... An unforgettable book»

Observer

«It will make you think differently about trunks in the attic and it will make you read old letters with new eyes»

The Times

«Consistently illuminating... excellently illustrated... De Waal's excavation of the meanings of assimilation is considered, compassionate and appreciative of its costs... he is a wise guide to people and things that are dispersed and are collected... This book is a wonderful tribute to a family and to an idea»

Nicholas Wroe, Guardian

«More than chronicling the [Camondo] family's splendor and tragic end, de Waal has created a deeply hued tapestry of a lost time and a poetic meditation on grief, memory, and the fragile consolation of art... A radiant family history.»

Kirkus

«Letters to Camondo immerses you in another age - one as sharply torn with rifts and bigotry, political uncertainty and changing fortunes as our own - but also a time of grace and the deliberate cultivation of pleasure... de Waal creates a dazzling picture of what it means to live graciously»

Nilanjana Roy, Financial Times

«Moving... beautifully produced... I visited the Musee Nissim de Camondo some dozen years ago. Now I long to go back»

Gillian Tindall, Literary Review