«'The fascination of Saltzman’s splendid book lies to a significant degree in her subtle contrast of the tumultuous immensity of Bonaparte’s aspirations and the serenity of Veronese’s painting … Thoroughly at ease in the Venetian Renaissance and French imperial worlds, Cynthia Saltzman tells this story with Veronesian panache' - Jonathan Keates, Literary Review»

«'[An] absorbing and chilling narrative' - The Times, Art Books of the Year 2021»

«'A fascinating and deeply rewarding book, which is underpinned by wide research and an impressive grasp of techniques and technicalities … A delight to read' - Adam Zamoyski, Daily Telegraph»

«'A compelling account of the fragility of beauty before avarice … Saltzman’s thrilling blend of historical narrative and art criticism is fitting testimony to its enduring greatness' - Paul Lay, The Times»

«'Wonderful' - Andrew Marr, Andrew Marr, Start the Week, R4»

«'[Saltzman’s] perceptive book traces Napoleon’s systematic gathering of artistic treasures as he conquered Italy, focusing on Veronese’s masterpiece … An absorbing story of conflict and culture' - The Economist»