Italian Renaissance and the Origins of the Modern Humanities
«'An engrossing story about how modernity was born when it learned to read and write the word. The parallels between the Italian Renaissance and our contemporary present are stunning. As before, so now: information glut and a rapidly evolving mediascape are challenges that only a new investment in critical sense-making – 'philology,' broadly understood – can meet. Celenza's call for a reinvigorated culture of the humanities today is both historically rich and prescient. His book is sure to bring a new dimension to the debates about the uses and reach of culture today.' James I. Porter, University of California, Berkeley»
Christopher Celenza is one of the foremost contemporary scholars of the Renaissance. His ambitious new book focuses on the body of knowledge which we now call the humanities, charting its roots in the Italian Renaissance and exploring its development up to the Enlightenment. Les mer
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Detaljer
- Forlag
- Cambridge University Press
- Innbinding
- Innbundet
- Språk
- Engelsk
- ISBN
- 9781108833400
- Utgivelsesår
- 2021
- Format
- 24 x 16 cm
Anmeldelser
«'An engrossing story about how modernity was born when it learned to read and write the word. The parallels between the Italian Renaissance and our contemporary present are stunning. As before, so now: information glut and a rapidly evolving mediascape are challenges that only a new investment in critical sense-making – 'philology,' broadly understood – can meet. Celenza's call for a reinvigorated culture of the humanities today is both historically rich and prescient. His book is sure to bring a new dimension to the debates about the uses and reach of culture today.' James I. Porter, University of California, Berkeley»
«'A powerful history, cutting through the artificial line too-often drawn between Renaissance and Enlightenment to present one continuity, the quiet revolution underlying all the others: the slow, painstaking advance of the conviction that knowledge-seeking can and should be unending, unlimited, and open to everyone.' Ada Palmer, University of Chicago»
«'Christopher Celenza brilliantly threads the needle to produce a portrait of Italian Renaissance humanism for our time. Deeply attentive to personal experiences and personal ties, he injects agency and emotion into the celebrated practice of classical and biblical philology, astutely examining figures who include Valla, Poliziano, Decembrio, and even Descartes. Celenza's enduring claim is that philology was and remains inextricably connected with philosophy.' Kristine Haugen, California Institute of Technology »