Hollywood Genres and Postwar America
Masculinity, Family and Nation in Popular Movies and Film Noir
This is a clear and engrossing account of how popular films in America just after the close of the Second World War played
out America's mood at that crucial time. It is also a revisionist challenge to received scholarly understanding of this mood, which has tended to be seen as characterized by an abiding pessimism most
clearly manifested in the films noir of the period. Les mer
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Leveringstid:
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This is a clear and engrossing account of how popular films in America just after the close of the Second World War played
out America's mood at that crucial time. It is also a revisionist challenge to received scholarly understanding of this mood,
which has tended to be seen as characterized by an abiding pessimism most clearly manifested in the films noir of the period.
Chopra-Gant makes here an important contribution to film genre, which proposes that the 'noir and Zeitgeist' reading is based
on the retrospective promotion of selected movies. He turns to the top box office successes of the period, including "Best
Years of our Lives", "The Jolson Story" and "Two Years Before the Mast", finding that these films emphasise rather the triumph
of American beliefs in democracy, classlessness and individualism. They deploy positive, performative masculinities and the
pleasures of male friendships and celebrate the traditional American family, while recognising the problems of 'momism' and
absent fathers.
- FAKTA
-
Utgitt:
2005
Forlag: Bloomsbury Publishing PLC
Innbinding: Paperback
Språk: Engelsk
Sider: 224
ISBN: 9781850438380
Format: 23 x 16 cm
- KATEGORIER:
- SERIE:
- VURDERING
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Gi vurdering
Les vurderinger
Acknowledgements | |||||
List of tables | |||||
List of figures | |||||
One Introduction: Movies, Genre and Zeitgeist | 1 | (25) | |||
| 9 | ||||
| 7 | (4) | |||
| 11 | (1) | |||
| 11 | (5) | |||
| 16 | (5) | |||
| 21 | (5) | |||
Two Re-invigorating the nation: popular films and American national identity | 26 | (39) | |||
| 28 | (5) | |||
| 33 | (13) | |||
| 46 | (9) | |||
| 55 | (2) | |||
| 57 | (8) | |||
Three The troubled postwar family: "moms" and absent fathers | 65 | (30) | |||
| 66 | (12) | |||
| 78 | (4) | |||
| 82 | (13) | |||
Four Performing postwar masculinities | 95 | (26) | |||
| 98 | (9) | |||
| 107 | (4) | |||
| 111 | (10) | |||
Five Military service and male companionship | 121 | (25) | |||
| 122 | (8) | |||
| 130 | (3) | |||
| 133 | (6) | |||
| 139 | (7) | |||
Six Popular films and "tough" movies | 146 | (29) | |||
| 149 | (11) | |||
| 149 | (3) | |||
| 152 | (4) | |||
| 156 | (2) | |||
| 158 | (2) | |||
| 160 | (4) | |||
| 161 | (2) | |||
| 163 | (1) | |||
| 164 | (3) | |||
| 167 | (8) | |||
| 168 | (2) | |||
| 170 | (2) | |||
| 172 | (3) | |||
Seven Genre and History | 175 | (14) | |||
| 183 | (6) | |||
Notes | 189 | (5) | |||
Bibliography | 194 | (21) | |||
Index | 215 |
Mike Chopra-Gant is Lecturer in Cultural Studies, London Metropolitan University