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Screen Dynamics – Mapping the Borders of Cinema

«...a wide-ranging survey perfect for college-level film holdings.»

Midwest Book Review

From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. Les mer

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From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television.

Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knoerer, Thomas Morsch, Jonathan Rosenbaum and the editors.

Detaljer

Forlag
Synema Gesellschaft Fur Film u. Medien
Innbinding
Paperback
Språk
Engelsk
ISBN
9783901644399
Utgivelsesår
2012
Format
20 x 18 cm

Om forfatteren

GERTRUD KOCH is professor for film studies at the Free University Berlin, where she is also head of the collaborative research center "Aesthetic Experience and the Dissolution of Artistic Limits." VOLKER PANTENBURG is assistant professor for Moving Images at theBauhaus University Weimar and Junior Director at the "InternationalesKolleg fur Kulturtechnikforschung und Medienphilosophie."SIMON ROTHOEHLER is a postdoctoral researcher at the collaborativeresearch center "Aesthetic Experience and the Dissolution of ArtisticLimits" at the Free University of Berlin and editor of the quarterlymagazine CARGO Film/Medien/Kultur.

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«...a wide-ranging survey perfect for college-level film holdings.»

Midwest Book Review

«Screen Dynamics is an excellent edited collection that contributes to the expanding field of screen studies in the context of cinema's relocations and transformations. The volume is intelligently organized into four sections that effectively develop an organic (non-taxonomic) discussion of cinema’s shifting borders.»

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