Dostoyevsky Reads Hegel in Siberia and Bursts into Tears
«“It is precisely Földényi’s approachable style, as well as Ottilie Mulzet’s impeccable translation, that makes this collection easily accessible to scholars and casual readers alike.”—Barbara Halla, Asymptote
“Földényi’s brilliant essay on Dostoyevsky reading Hegel is an essential meditation on history, civic responsibility and our ongoing responsibility towards others.”—Alberto Manguel, author of A History of Reading
“It is a hallucinatory moment: Dostoyevsky, first condemned to death, then sent as a soldier to the endless emptiness of Siberia, where he reads Hegel’s thoughts about the abstract building of History, a building in which neither Siberia nor Africa can have a place, an unsentimental construction made of glass, with its holy ending the Weltgeist, in which all the personal suffering of mankind has disappeared. Laszlo Földenyi has written about this in such a way that you can feel the sacred shudder with him.”—Cees Nooteboom
»
An exemplary collection of work from one of the world's leading scholars of intellectual history
"Foeldenyi . . . stage[s] a broad metaphysical melodrama between opposites that he pursues throughout this fierce, provoking collection (expertly translated by Ottilie Mulzet).
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An exemplary collection of work from one of the world's leading scholars of intellectual history
"Foeldenyi . . . stage[s] a broad metaphysical melodrama between opposites that he pursues throughout this fierce, provoking collection (expertly translated by Ottilie Mulzet). . . . He proves himself a brilliant interpreter of the dark underside of Enlightenment ambition."-James Wood, New Yorker
Laszlo Foeldenyi's work, in the long tradition of public intellectual and cultural criticism, resonates with the writings of Montaigne, Walter Benjamin, and Thomas Mann. In this new essay collection, Foeldenyi considers the continuing fallout from the collapse of religion, exploring how Enlightenment traditions have not replaced basic elements of previously held religious mythologies-neither their metaphysical completeness nor their comforting purpose. Realizing beautiful writing through empathy, imagination, fascination, and a fierce sense of justice, Foeldenyi covers a wide range of topics including a meditation on the metaphysical unity of a sculpture group and an analysis of fear as a window into our relationship with time.
"Foeldenyi . . . stage[s] a broad metaphysical melodrama between opposites that he pursues throughout this fierce, provoking collection (expertly translated by Ottilie Mulzet). . . . He proves himself a brilliant interpreter of the dark underside of Enlightenment ambition."-James Wood, New Yorker
Laszlo Foeldenyi's work, in the long tradition of public intellectual and cultural criticism, resonates with the writings of Montaigne, Walter Benjamin, and Thomas Mann. In this new essay collection, Foeldenyi considers the continuing fallout from the collapse of religion, exploring how Enlightenment traditions have not replaced basic elements of previously held religious mythologies-neither their metaphysical completeness nor their comforting purpose. Realizing beautiful writing through empathy, imagination, fascination, and a fierce sense of justice, Foeldenyi covers a wide range of topics including a meditation on the metaphysical unity of a sculpture group and an analysis of fear as a window into our relationship with time.
Detaljer
- Forlag
- Yale University Press
- Innbinding
- Paperback
- Språk
- Engelsk
- Sider
- 304
- ISBN
- 9780300258455
- Utgivelsesår
- 2021
- Format
- 20 x 13 cm
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«“It is precisely Földényi’s approachable style, as well as Ottilie Mulzet’s impeccable translation, that makes this collection easily accessible to scholars and casual readers alike.”—Barbara Halla, Asymptote
“Földényi’s brilliant essay on Dostoyevsky reading Hegel is an essential meditation on history, civic responsibility and our ongoing responsibility towards others.”—Alberto Manguel, author of A History of Reading
“It is a hallucinatory moment: Dostoyevsky, first condemned to death, then sent as a soldier to the endless emptiness of Siberia, where he reads Hegel’s thoughts about the abstract building of History, a building in which neither Siberia nor Africa can have a place, an unsentimental construction made of glass, with its holy ending the Weltgeist, in which all the personal suffering of mankind has disappeared. Laszlo Földenyi has written about this in such a way that you can feel the sacred shudder with him.”—Cees Nooteboom
»