Berlin
The dazzling, darkly funny debut that surprises at every turn
«Scintillating . . . Berlin is wonderfully funny, and Daphne's observations about modern life, men and the challenges facing young women always hit the nail»
FINANCIAL TIMES
'One for Sally Rooney fans' Sunday Telegraph
'Compelling, raw and thrillingly strange' MONA AWAD, author of Bunny
'Cinematic and confessional . . . electric' The New York Times
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'One for Sally Rooney fans' Sunday Telegraph
'Compelling, raw and thrillingly strange' MONA AWAD, author of Bunny
'Cinematic and confessional . . . electric' The New York Times
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*FOR FANS OF CLEOPATRA AND FRANKENSTEIN, MY YEAR OF REST AND RELAXATION and EXCITING TIMES*
When Daphne Ferber arrives in Berlin for a fresh start in a thrilling new city, the last thing she expects is to run into more drama than she left behind.
Of course, she knew she'd need to do the usual: make friends, acquire lovers, grapple with German and a whole new way of life. She even expected the long nights gorging alone on family-sized jars of Nutella, and the pitfalls of online dating in another language. The paranoia, the second-guessing of her every choice, the covert behaviours? Probably come with the territory.
But one night, something strange, dangerous and entirely unexpected intervenes, and life in bohemian Kreuzberg suddenly doesn't seem so cool.
Just how much trouble is Daphne in, and who - or what - is out to get her?
Channelling the modern female experience with razor-sharp observation and witty flair, Berlin announces Bea Setton as an electrifying literary voice for her generation.
'Scintillating . . . wonderfully funny' Financial Times
'Terrific . . . [an] unsettling and compelling read' Observer
'I was completely absorbed' FRANCESCA REECE, author of Voyeur
'Cinematically vivid, and refreshingly honest' LISA HALLIDAY, author of Asymmetry
Detaljer
- Forlag
- Penguin (Transworld)
- Innbinding
- Paperback
- Språk
- Engelsk
- Sider
- 256
- ISBN
- 9781804991039
- Utgivelsesår
- 2023
- Format
- 20 x 13 cm
Om forfatteren
Bea Setton was born in France and has lived in Paris, the USA and Berlin, the city which inspired her critically acclaimed debut novel. She then studied at Cambridge for a master's in Philosophy & Theology, and this inspired the setting of her second book, Plaything. Bea currently divides her time between Berlin and Oxford, Mississippi, where she is writing her third novel.
Anmeldelser
«Scintillating . . . Berlin is wonderfully funny, and Daphne's observations about modern life, men and the challenges facing young women always hit the nail»
FINANCIAL TIMES
«Uncommonly funny, cinematically vivid, and refreshingly honest about how we deceive others and ourselves.»
Lisa Halliday, author of ASYMMETRY
«Anyone who's started over in a new city -- let alone a new country -- will relate . . . One for Sally Rooney fans»
SUNDAY TELEGRAPH
«A compelling, raw, and thrillingly strange outsider tale of loneliness and deception. Setton is a wonderful writer who, with this sharp debut, adds to the great canon of contemporary anti-heroines.»
Mona Awad, author of BUNNY
«Weird, compelling and unique: I was completely absorbed by BERLIN, with its slippery, unsettling narrator, its vivid evocation of a city seen through the troubling lens of disorientation, and by the writing itself, which gleamed.»
Francesca Reece, author of VOYEUR
«Combining the darkness of a thriller with humour, Bea Setton's debut is a fresh and deeply honest take on the modern female experience»
STYLIST
«Setton builds her growing paranoia and sense of dread to terrific effect in this unsettling, compelling read.»
OBSERVER
«Enjoyable and astutue . . . Daphne's impressions are rendered in precise, lively prose»
Rob Doyle, TIMES LITERARY SUPPLEMENT
«Cinematic and confessional . . . Berlin is a Woolfian mirror: Red herrings and cliffhangers stoke interest by conforming to expectations, until the novel undercuts them with digressions and anticlimaxes, reveling in its own formal impunity. . . electric.»
THE NEW YORK TIMES
«[An] engagingly self-conscious debut . . . our attention is firmly held by the wry wit of Daphne's voice, as well as regular hints that she's something of an unreliable narrator . . . the book's success lies chiefly in its line by-line charm»
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