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Remapping Cold War Media
Institutions, Infrastructures, Translations
Alice Lovejoy (Redaktør) Mari Pajala (Redaktør) Katie Trumpener (Innledning) Rosamund Johnston (Innledning) Anu Koivunen (Innledning) Masha Salazkina (Innledning) Sonja Simonyi (Innledning) Jaroslav Švelch (Innledning) Marie Cronqvist (Innledning) Elena Razlogova (Innledning) Brangwen Stone (Innledning) Marla Zubel (Innledning) Laura Saarenmaa (Innledning) Petr Szczepanik (Innledning) Stefano Pisu (Innledning) Christine Evans (Innledning) Lars Lundgren (Innledning) Anikó Imre (Innledning)
«
In some ways, the volume reminds me of a thoughtfully organized musical album in that it tells a story with a beginning, middle and an end. Despite having multiple authors, the story develops logically from one chapter to the next—quite an accomplishment.
» Patryk Babiracki, author of Soviet Soft Power in Poland: Culture and the Making of Stalin's New Empi
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Detaljer
- Forlag
- Indiana University Press
- Innbinding
- Innbundet
- Språk
- Engelsk
- Sider
- 324
- ISBN
- 9780253062192
- Utgivelsesår
- 2022
- Format
- 23 x 15 cm
Anmeldelser
«
In some ways, the volume reminds me of a thoughtfully organized musical album in that it tells a story with a beginning, middle and an end. Despite having multiple authors, the story develops logically from one chapter to the next—quite an accomplishment.
» Patryk Babiracki, author of Soviet Soft Power in Poland: Culture and the Making of Stalin's New Empi
«
Wide-ranging in its Cold War geography, rigorously internationalist, and focused on the concept of media over a variety of forms and methods, Lovejoy and Pajala's volume will set the standard for any future scholarship on the topic.
» Rossen Djagalov, author of From Internationalism to Postcolonialism
«
Ballasted by primary sources in all relevant languages, together these meticulously researched essays complicate, through the fluid logic of media, the conventional epochal and geopolitical fault lines of post-WWII cultures. An indispensable volume.
» Nataša Ďurovičová, coeditor of World Cinemas, Transnational Perspectives
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