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Idiot

«“A book that manages like no other to plunge fearlessly into suffering while at the same time illuminating the enduring, almost unspeakable beauty of the human.” —Laurie Sheck, The Atlantic
 
“One of the most excoriating, compelling, and remarkable books ever written: and without question one of the greatest.” —A. C. Grayling
 
“A masterpiece . . . a fact of world literature just as important as the densely dramatic Brothers Karamazov or the brilliantly subtle and terrifying Devils. . . . [an] excellent new translation.” The Guardian
 
“McDuff's language is rich and alive.” The New York Times Book Review

“[The Idiot's] narrative is so compelling.” —Rowan Williams, Archbishop of Canterbury»

Returning to St Petersburg from a Swiss sanatorium, the gentle and naive epileptic Prince Myshkin - pays a visit to his distant relative General Yepanchin and proceeds to charm the General, his wife, and his three daughters. Les mer

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Returning to St Petersburg from a Swiss sanatorium, the gentle and naive epileptic Prince Myshkin - pays a visit to his distant relative General Yepanchin and proceeds to charm the General, his wife, and his three daughters. But his life is thrown into turmoil when he chances on a photograph of the beautiful Nastasya Filippovna.

Detaljer

Forlag
Penguin Classics
Innbinding
Paperback
Språk
Engelsk
Sider
784
ISBN
9780140447927
Utgivelsesår
2004
Format
20 x 13 cm

Anmeldelser

«“A book that manages like no other to plunge fearlessly into suffering while at the same time illuminating the enduring, almost unspeakable beauty of the human.” —Laurie Sheck, The Atlantic
 
“One of the most excoriating, compelling, and remarkable books ever written: and without question one of the greatest.” —A. C. Grayling
 
“A masterpiece . . . a fact of world literature just as important as the densely dramatic Brothers Karamazov or the brilliantly subtle and terrifying Devils. . . . [an] excellent new translation.” The Guardian
 
“McDuff's language is rich and alive.” The New York Times Book Review

“[The Idiot's] narrative is so compelling.” —Rowan Williams, Archbishop of Canterbury»

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