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Clara Schumann Studies

«'… what the individual essays exemplify is a sense of academic diversity that underpins current ways of thinking about Schumann-Wieck and his world. In doing so, they break ground not only in relation to Clara Schumann, but in relation to women in music in general.' Juan Carlos Tellechea, Bibliographic Reviews»

Since the 1980s, when she re-emerged from the peripheries into a more central position in music studies, Clara Schumann (1819–1896) has exerted an enduring fascination over the scholarly and popular imagination. Les mer

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Since the 1980s, when she re-emerged from the peripheries into a more central position in music studies, Clara Schumann (1819–1896) has exerted an enduring fascination over the scholarly and popular imagination. Revisionist biographies, the uncovering of primary sources (diaries, letters, memorabilia), and filmic and literary depictions of Schumann have all brought into sharper focus the details and reception of her life, while simultaneously drawing attention to how much there is still to learn about her creativity. This book brings together a team of leading scholars to reappraise Clara Schumann in three particular respects: first, by delving deeper into her social and musical contexts; secondly, by offering fresh analytical perspectives on her songs and instrumental music; and thirdly, by reconsidering her legacy as a pianist and teacher. In doing so, the volume not only contributes to a rounded picture of Schumann's creative vision, but also opens up new pathways in the wider study of women in music.

Detaljer

Forlag
Cambridge University Press
Innbinding
Innbundet
Språk
Engelsk
ISBN
9781108489843
Utgivelsesår
2021
Format
25 x 18 cm

Anmeldelser

«'… what the individual essays exemplify is a sense of academic diversity that underpins current ways of thinking about Schumann-Wieck and his world. In doing so, they break ground not only in relation to Clara Schumann, but in relation to women in music in general.' Juan Carlos Tellechea, Bibliographic Reviews»

«'[The book] calls us to reflect on how we tell (and retell) the stories of celebrated figures and how we can rely upon them to introduce new historical questions.' April L. Prince, Notes: the Quarterly Journal of the Music Library Association»

«'The essays in Clara Schumann Studies will appeal to those most interested in the oeuvre of Clara the composer. Yet readers should not overlook the essays that consider her political beliefs, her performances, her public persona, and her lasting musical and cultural influence. … the contents of Clara Schumann Studies extend and deepen the established scholarship about its subject, providing additional insights into a continually fascinating figure.' Marian Wilson Kimber, Journal of the American Musicological Society»

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