On Music, Sense, Affect and Voice
«The book gives a helpful map of theistic and nontheistic spiritualities, but due, in part, to its broad and comprehensive nature, specialists in the different areas covered will find issues to challenge and argue about.»
Horizons: The Journal of the College Theology Society
This book explores early reflections on music and its effects on the mind and soul. Augustine is an obvious choice for such an analysis, as his De Musica is the only treatise on music by a Christian writer in the first five centuries AD; concerned not only with poetic metre and rhythm, but also with an ontology of music. Les mer
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This book explores early reflections on music and its effects on the mind and soul. Augustine is an obvious choice for such an analysis, as his De Musica is the only treatise on music by a Christian writer in the first five centuries AD; concerned not only with poetic metre and rhythm, but also with an ontology of music. Focusing on the six books of De Musica, the Confessions and the Homilies on the Psalms, Carol Harrison argues that Augustine establishes a psychology, ethics and aesthetics of musical perception, which considered together form an effective theology of music. For Augustine, music-both heard and performed- becomes the means by which we can sense and participate in divine grace. Composed by one of the world's foremost Augustine scholars, this book is a concise and powerful exploration of Augustine's writing and reflections on music and, by extension, the intimate relationship between music, religion, and philosophy.
Detaljer
- Forlag
- Bloomsbury Academic USA
- Språk
- Engelsk
- Sider
- 160
- ISBN
- 9781501326271
- Utgivelsesår
- 2019
Anmeldelser
«The book gives a helpful map of theistic and nontheistic spiritualities, but due, in part, to its broad and comprehensive nature, specialists in the different areas covered will find issues to challenge and argue about.»
Horizons: The Journal of the College Theology Society
«This is a critically important book … [It] becomes very clear that the significance of Carol Harrison's study extends far beyond the fourth century, and concerns every major locus of Christian theology.»
Modern Theology
«Harrison's book will be an asset for any academic library that serves students of music history, philosophy, and theology. It is a valuable assemblage of primary materials, a rich source of often unusual secondary sources, and an interesting presentation of a point of view that merits further consideration.»
Catholic Library World
«Harrison's study captures the dialectical texture of Augustine's thinking about music, as she strings along puzzles, resolutions and new puzzles with fugal complexity … by helping us read Augustine's thinking on music, with all its twists and turns, Harrison invites us into a rich conversation that gets at questions basic to human experience.»
Theology