Film and Community in Britain and France
From La Regle du Jeu to Room at the Top
Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a
time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Les mer
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Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a
time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and
prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her
comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows
how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and division. She also draws
on contemporary debates and offers a perceptive reading of key films, to reveal the meaning and appeal of French classics
like "Les Enfants du Paradis" and notable British productions like "Waterloo Road".
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Utgitt:
2004
Forlag: Bloomsbury Publishing PLC
Innbinding: Innbundet
Språk: Engelsk
Sider: 224
ISBN: 9781860649547
Format: 23 x 16 cm
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Margaret Butler is Lecturer in Film and Television History at the Open University.