Dante's Persons
An Ethics of the Transhuman
«As Girard said of all great literature, The Divine Comedy exceeds any theory about it. Dante's Persons approaches the poem in that spirit, showing yet another side of its inexhaustible riches through insightful readings of many more passages than this review has touched on, and along the way pressing further than any account I know of into its enduring value for those interested in mimetic theory.»
Curtis Gruenler, The Bulletin of the Colloquium on Violence & Religion
Dante's Persons explores the concept of personhood as it appears in Dante's Commedia and seeks out the constituent ethical modes that the poem presents as necessary for attaining a fullness of persona. Les mer
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Dante's Persons explores the concept of personhood as it appears in Dante's Commedia and seeks out the constituent ethical modes that the poem presents as necessary for attaining a fullness of persona. The study suggests that Dante presents a vision of 'transhuman' potentiality in which the human person is, after death, fully integrated into co-presence with other individuals in a network of relations based on mutual recognition and
interpersonal attention. The Commedia, Heather Webb argues, aims to depict and to actively construct a transmortal community in which the plenitude of each individual's person is realized in and through recognition of the personhood of other individuals who constitute that community, whether living or dead.
Webb focuses on the strategies the Commedia employs to call us to collaborate in the mutual construction of persons. As we engage with the dead that inhabit its pages, we continue to maintain the personhood of those dead. Webb investigates Dante's implicit and explicit appeals to his readers to act in relation to the characters in his otherworlds as if they were persons. Moving through the various encounters of Purgatorio and Paradiso, this study documents the ways in
which characters are presented as persone in development or in a state of plenitude through attention to the 'corporeal' modes of smiles, gazes, gestures, and postures. Dante's journey provides a model for the formation and maintenance of a network of personal attachments, attachments that, as constitutive of persona, are not
superseded even in the presence of the direct vision of God.
interpersonal attention. The Commedia, Heather Webb argues, aims to depict and to actively construct a transmortal community in which the plenitude of each individual's person is realized in and through recognition of the personhood of other individuals who constitute that community, whether living or dead.
Webb focuses on the strategies the Commedia employs to call us to collaborate in the mutual construction of persons. As we engage with the dead that inhabit its pages, we continue to maintain the personhood of those dead. Webb investigates Dante's implicit and explicit appeals to his readers to act in relation to the characters in his otherworlds as if they were persons. Moving through the various encounters of Purgatorio and Paradiso, this study documents the ways in
which characters are presented as persone in development or in a state of plenitude through attention to the 'corporeal' modes of smiles, gazes, gestures, and postures. Dante's journey provides a model for the formation and maintenance of a network of personal attachments, attachments that, as constitutive of persona, are not
superseded even in the presence of the direct vision of God.
Detaljer
- Forlag
- Oxford University Press
- Innbinding
- Innbundet
- Språk
- Engelsk
- ISBN
- 9780198733485
- Utgivelsesår
- 2016
- Format
- 22 x 14 cm
Anmeldelser
«As Girard said of all great literature, The Divine Comedy exceeds any theory about it. Dante's Persons approaches the poem in that spirit, showing yet another side of its inexhaustible riches through insightful readings of many more passages than this review has touched on, and along the way pressing further than any account I know of into its enduring value for those interested in mimetic theory.»
Curtis Gruenler, The Bulletin of the Colloquium on Violence & Religion
«Webb unobtrusively works some of the weightiest traditions of thinking about persons, as well as some of the newer knowledge from cognitive psychology and the neurosciences, into her probes of Dante's incomparable phenomenological exploration of the experience of being a person. She sounds its hardly fathomable pitfalls and seemingly impossible demands and marvelous discoveries.»
William Franke, The Years Work in Critical and Cultural Theory
«This is a sincere and heartfelt reading of the Commedia, not as a distant historical document, but as a guide for life, a guide to interpersonal relations, a guide to recognizing the personhood of the other.»
Alison Cornish, Renaissance Quarterly
«Heather Webb confronts the issue from a modern theological perspective ... the case she makes has more force than many interpretations that hold religion at a historical distance.»
Peter Hainsworth, Times Literary Supplement
«The strength of this work is in its readability and comprehensiveness. Through her enjoyable prose, Webb introduces innovative ideas built on existing scholarship and drawn from multiple sources and disciplines (ranging from critical theory and theology to ethics, history, and art). ... it provides readers with a deep understanding of Dante's concept of persona and encourages further reflections about the relevance of human dignity.»
Nicolino Applauso, Speculum
«Offering insightful and fresh readings of two pairs of characters -- Franscesca and Paolo in Inferno and Statius and Virgil in Purgatorio -- Dantes Persons is provocative, erudite, and best suited to advanced scholars.»
D. Pesta, CHOICE
«Webb is right, I think, to contend that Dante also presents what he might have called the anagogic vision of blessedness and that he anchors that vision in the face that knows itself in the love of God that it sees and shares with others...after all, there is no consequence, only simultaneity. In the end, Webb's claim that the substance of personhood is ethical seems to me a canny way to recast the function of the intellect, which is the faculty that oversees one's relation to oneself, and the will, which is the faculty that oversees one's relations with others...they are one, joined by an act that corresponds to the ardent regarding that joins the blessed in heaven, itself a reflection of the Holy Spirit, which, breathing love between them, joins the Father and the Son. For this, as for many other reasons, Dante's Persons is a valuable, mind-expanding contribution to our understanding of human and divine relations in the Comedy.»
Warren Ginsberg, The Medieval Review
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