Fate, Nature, and Literary Form
«
“Fate, Nature and Literary Form is a concise and engaging book about how tragic art manifests in different times and places and what role critical theory can play in our understanding of this genre’s power and appeal… In this compact yet powerful work, Nishi argues that great art can never be merely the expression of the timeless essence of a particular culture but must be part of a forward movement leading to enhanced human relationships…[The book] offer[s] a unique and innovative blend of theoretical musings and provocative insights into the contributions of several major Japanese literary figures whose work cannot be meaningfully interpreted apart from the historical context in which they are rooted. I applaud this effort and find the book both rewarding and stimulating.”
– Ronald P. Loftus, Japanese Language and Literature (Vol. 56, No. 1)
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This study is a theoretical reconsideration of the concept of the "tragic" combined with detailed analyses of Japanese literary texts. Inspired by contemporary critical discourse (especially the works by such thinkers as Theodor Adorno, Fredric Jameson and Raymond Williams), the author challenges both exotic and postmodern representation of Japanese culture as "the other" of the West. Les mer
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Detaljer
- Forlag
- Academic Studies Press
- Innbinding
- Innbundet
- Språk
- Engelsk
- ISBN
- 9781644690680
- Utgivelsesår
- 2020
- Format
- 23 x 16 cm
Anmeldelser
«
“Fate, Nature and Literary Form is a concise and engaging book about how tragic art manifests in different times and places and what role critical theory can play in our understanding of this genre’s power and appeal… In this compact yet powerful work, Nishi argues that great art can never be merely the expression of the timeless essence of a particular culture but must be part of a forward movement leading to enhanced human relationships…[The book] offer[s] a unique and innovative blend of theoretical musings and provocative insights into the contributions of several major Japanese literary figures whose work cannot be meaningfully interpreted apart from the historical context in which they are rooted. I applaud this effort and find the book both rewarding and stimulating.”
– Ronald P. Loftus, Japanese Language and Literature (Vol. 56, No. 1)
»