This edited collection examines Gothic works written by women


authors in the late eighteenth and early nineteenth centuries, with a


specific focus on the novels and chapbooks produced by less widely


commercially and critically popular writers. Bringing these authors to


the forefront of contemporary critical examinations of the Gothic,


chapters in this collection examine how these works impacted the


development of ‘women’s writing’ and Gothic writing during this time.


Offering readers an original look at the literary landscape of the period


and the roles of the creative women who defined it, the collection


argues that such works reflected a female-centred literary subculture


defined by creative exchange and innovation, one that still shapes


perceptions of the Gothic mode today. This collection, then, presents


an alternative understanding of the legacy of women Gothic authors,


anchoring this understanding in complex historical and social contexts


and providing a new world of Gothic literature for readers to explore.