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Memory, Allegory, and Testimony in South American Theater

Upstaging Dictatorship

«

'Surveying recent productions of the plays in Italy, Argentina, Chile and the US, she persuasively demonstrates how culturally aware theatre practitioners imaginatively avoid folkloric and dehistoricized productions, and instead challenge non-Latin American audiences to think more politically about this region'Theatre Research International

'In addition to the wealth of details that emerge from close reading, the specific performance details that emerge from her individual interviews are especially valuable'Jon D. Rossini, Contemporary Theatre Review

»

Traces the shaping of a resistant identity in memory, its direct expression in testimony, and its indirect elaboration in two different kinds of allegory. Chapters in this work focus on one contemporary playwright from each of four Southern Cone countries and compares the playwrights' aesthetic strategies for subverting ideologies of dictatorship. Les mer

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Traces the shaping of a resistant identity in memory, its direct expression in testimony, and its indirect elaboration in two different kinds of allegory. Chapters in this work focus on one contemporary playwright from each of four Southern Cone countries and compares the playwrights' aesthetic strategies for subverting ideologies of dictatorship.

Detaljer

Forlag
Routledge
Innbinding
Innbundet
Språk
Engelsk
Sider
296
ISBN
9780415961196
Utgivelsesår
2008
Format
23 x 15 cm

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«

'Surveying recent productions of the plays in Italy, Argentina, Chile and the US, she persuasively demonstrates how culturally aware theatre practitioners imaginatively avoid folkloric and dehistoricized productions, and instead challenge non-Latin American audiences to think more politically about this region'Theatre Research International

'In addition to the wealth of details that emerge from close reading, the specific performance details that emerge from her individual interviews are especially valuable'Jon D. Rossini, Contemporary Theatre Review

»

«

'Surveying recent productions of the plays in Italy, Argentina, Chile and the US, she persuasively demonstrates how culturally aware theatre practitioners imaginatively avoid folkloric and dehistoricized productions, and instead challenge non-Latin American audiences to think more politically about this region'Theatre Research International

'In addition to the wealth of details that emerge from close reading, the specific performance details that emerge from her individual interviews are especially valuable'Jon D. Rossini, Contemporary Theatre Review

»

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