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Reclaiming Popular Documentary
Christie Milliken Steve F. Anderson Ezra Winton (Innledning) Patricia Aufderheide (Innledning) Zoë Druick (Innledning) Devon Coutts (Innledning) Sabiha Ahmad Khan (Innledning) Anthony Kinik (Innledning) Michael Brendan Baker (Innledning) Allison de Fren (Innledning) Jonathan Kahana (Innledning) Shilyh Warren (Innledning) S. Topiary Landberg (Innledning) Landon Palmer (Innledning) Dylan Nelson (Innledning) Alexandra Juhasz (Innledning) Rick Prelinger (Innledning) George S. Larke-Walsh (Innledning)
«
Milliken and Anderson's excellent volume on "popular" documentary is both a long time coming and absolutely rooted in this moment in the history of documentary media. The volume fills an almost shocking gap in scholarly writing on popular documentary—especially given the value documentary studies places on its connection with the political—and it does so as the stakes of shared knowledge of the world have never been higher. Together, the chapters in this volume compellingly explore a range of documentary media forms while always interrogating what the "popular" actually entails.
» Josh Malitsky, author of A Companion to Documentary Film History
The documentary has achieved rising popularity over the past two decades thanks to streaming services like Netflix and Hulu. Despite this, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Les mer
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The documentary has achieved rising popularity over the past two decades thanks to streaming services like Netflix and Hulu. Despite this, documentary studies still tends to favor works that appeal primarily to specialists and scholars.
Reclaiming Popular Documentary reverses this long-standing tendency by showing that documentaries can be-and are-made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge the many evolving forms of documentary, such as branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms-including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand-and offer the critical tools viewers need to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media.
By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.
Reclaiming Popular Documentary reverses this long-standing tendency by showing that documentaries can be-and are-made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge the many evolving forms of documentary, such as branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms-including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand-and offer the critical tools viewers need to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media.
By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.
Detaljer
- Forlag
- Indiana University Press
- Innbinding
- Paperback
- Språk
- Engelsk
- Sider
- 406
- ISBN
- 9780253056887
- Utgivelsesår
- 2021
- Format
- 24 x 16 cm
- Priser
- Ray and Pat Browne Culture Award - Bests Critically Edited Volume 2021
Anmeldelser
«
Milliken and Anderson's excellent volume on "popular" documentary is both a long time coming and absolutely rooted in this moment in the history of documentary media. The volume fills an almost shocking gap in scholarly writing on popular documentary—especially given the value documentary studies places on its connection with the political—and it does so as the stakes of shared knowledge of the world have never been higher. Together, the chapters in this volume compellingly explore a range of documentary media forms while always interrogating what the "popular" actually entails.
» Josh Malitsky, author of A Companion to Documentary Film History
«
More and more often I encounter first-year students who arrive at college and tell me right away that they love documentaries—thanks, I believe, to the rising popularity of the form on streaming sites like Netflix. . . . They and many, many viewers are consuming just the kinds of popular documentary texts that this collection addresses.
» Jennifer Malkowski, author of Dying in Full Detail: Morality and Digital Documentary
«
Anderson and Milliken's book is no less than a groundbreaking study. Its exclusive focus on popular documentaries digs an alternative route next to the lane of popular fiction.
» Ohad Landesman, Tel Aviv University
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