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Don't Look At Me Like That

In England half a century ago, well-brought-up young women are meant to aspire to the respectable life. Some things are not to be spoken of; some are most certainly not to be done. There are rules, conventions. Les mer
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108,-

(Paperback)
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Paperback
Legg i
Paperback
Legg i
Vår pris: 108,-

(Paperback)
Leveringstid: Usikker levering*
*Vi bestiller varen fra forlag i utlandet. Dersom varen finnes, sender vi den så snart vi får den til lager
På grunn av Brexit-tilpasninger og tiltak for å begrense covid-19 kan det dessverre oppstå forsinket levering.

Om boka

In England half a century ago, well-brought-up young women are meant to aspire to the respectable life. Some things are not to be spoken of; some are most certainly not to be done. There are rules, conventions. Meg Bailey obeys them. She progresses from Home Counties school to un-Bohemian art college with few outward signs of passion or frustration. Her personality is submerged in polite routines; even with her best friend, Roxane, what can't be said looms far larger than what can. But circumstances change. Meg gets a job and moves to London. Roxane gets married to a man picked out by her mother. And then Meg does something shocking - shocking not only by the standards of her time, but by our own. As sharp and startling now as when it was written, Don't Look at Me Like That matches Diana Athill's memoirs After a Funeral and Instead of a Letter in its gift for storytelling and its unflinching candour about love and betrayal.

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Om forfatteren

In England half a century ago, well-brought-up women were meant to aspire to the respectable life. Meg progresses from school to art college with few outward signs of passion or frustration. But when she gets a job and moves to London, Meg does something shocking, even by today's standards.Diana Athill was born in 1917. She worked for the BBC throughout the Second World War before helping Andre Deutsch establish the publishing company that bore his name. For almost fifty years she was widely regarded as one of the finest editors in London, as well as a considerable and unjustly neglected writer. Two of what she called her 'documentary' books, After a Funeral and Instead of a Letter, anticipated the modern memoir in their directness and intimacy. After a Funeral and Stet are also issued by Granta. She died in January 2019.