Half Blood Blues
«'A superbly atmospheric prologue kick-starts a thrilling story about truth and betrayal... [a] brilliant, fast-moving novel.'»
Kate Saunders, Times
Chip told us not to go out. Said, don't you boys tempt the devil. But it been one brawl of a night, I tell you.
The aftermath of the fall of Paris, 1940. Hieronymous Falk, a rising star on the cabaret scene, was arrested in a cafe and never heard from again.
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The aftermath of the fall of Paris, 1940. Hieronymous Falk, a rising star on the cabaret scene, was arrested in a cafe and never heard from again. He was twenty years old. He was a German citizen. And he was black.
Fifty years later, Sid, Hiero's bandmate and the only witness that day, is going back to Berlin. Persuaded by his old friend Chip, Sid discovers there's more to the journey than he thought when Chip shares a mysterious letter, bringing to the surface secrets buried since Hiero's fate was settled.
In Half Blood Blues, Esi Edugyan weaves the horror of betrayal, the burden of loyalty and the possibility that, if you don't tell your story, someone else might tell it for you. And they just might tell it wrong ...
Detaljer
- Forlag
- Serpent's Tail
- Innbinding
- Paperback
- Språk
- Engelsk
- Sider
- 352
- ISBN
- 9781788161770
- Utgivelsesår
- 2018
- Format
- 20 x 13 cm
- Priser
- Winner of Scotiabank Giller Prize 2011 UK and Anisfield-Wolf Book Award 2012 UK and Ethel Wilson Fiction Prize 2012 UK and Hurston/Wright Legacy Award for fiction 2013 UK. Short-listed for Booker Prize for Fiction 2011 UK and Rogers Writers' Trust Fiction Prize 2011 UK and Governor General's Literary Award: Fiction Category 2011 UK and Walter Scott Prize for Historical Fiction 2012 UK and Orange Prize 2012 UK. Long-listed for IMPAC Dublin Literary Award 2013 UK.
Anmeldelser
«'A superbly atmospheric prologue kick-starts a thrilling story about truth and betrayal... [a] brilliant, fast-moving novel.'»
Kate Saunders, Times
«This is a wonderful, vibrant, tense novel about war and its aftermath. Its author has brought both the wartime past of a devastated city and its confident reinvention of itself in a new era to life with extraordinary assurance.»
Susan Hill, Man Booker Prize judge
«Edugyan really can write ... redemptive»
Bernadine Evaristo, Guardian