"Large stretches of Florin's precise prose read less like a narrative than like a magic theatre from the early days of the Enlightenment, an odd and cruel eighteenth-century goggle-box, a screenplay for the cinema in our heads. Its tense is not the imperfect of the novel but the watchful present. What Florin lets us see is the lustre and eventual downfall of an infinite Enlightenment optimism, and, in enchanting and dazzling verbal images, its transformation into a dark mysticism." Frankfurter Allgemeine Zeitung, 9 May 2013 "The reader will be reminded of the once well-tended, narrow flower-beds of the Nouveau Roman, or perhaps of the rather more colourful beds of Kurt Vonnegut or Italo Calvino - beds, not for novels with a bent towards realism or psychology but for blooms dedicated to the adventure of thought and its grounding in the emotions." Neue Zurcher Zeitung, 7 November 2013 "Magnus Florin's The Garden, which was published in Sweden in 1995 and which has long been regarded there as a classic of contemporary literature, is about not only the erosion of the doctrine of the Creation, but even more about the painful loss of the comforting certainty that went with that doctrine, and, most of all, about the unpredictability of the world. - Magnus Florin, literary director at 'Dramaten', the national theatre of Sweden, has cultivated a distinctive poetic tone in his books, at once elegant and austere and distinguished by a strong musicality." Die Welt, 18 May 2013