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Utopia Avenue

The Number One Sunday Times Bestseller

«A book bristling with pleasures . . . An overwhelmingly vivid - and equally exhilarating - portrait of an era when the future seemed likely to be shaped by a combination of young people and music. At the same time, there's a melancholy sense of the transience of this idealism . . . Utopia Avenue confirms that his real talent - perhaps even genius - lies in finding wildly entertaining new ways to tell old truths.»

Spectator

'A stand-out triumph' - Sunday Times

The spectacular new novel from the bestselling author of CLOUD ATLAS and THE BONE CLOCKS, 'one of the most brilliantly inventive writers of this, or any country' (Independent). Les mer

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'A stand-out triumph' - Sunday Times

The spectacular new novel from the bestselling author of CLOUD ATLAS and THE BONE CLOCKS, 'one of the most brilliantly inventive writers of this, or any country' (Independent).

Utopia Avenue might be the most curious British band you've never heard of.

Emerging from London's psychedelic scene in 1967, folksinger Elf Holloway, blues bassist Dean Moss, guitar virtuoso Jasper de Zoet and jazz drummer Griff Griffin together created a unique sound, with lyrics that captured their turbulent times. The band produced only two albums in two years, yet their musical legacy lives on.

This is the story of Utopia Avenue's brief, blazing journey from Soho clubs and draughty ballrooms to the promised land of America, just when the Summer of Love was receding into something much darker - a multi-faceted tale of dreams, drugs, love, sexuality, madness and grief; of stardom's wobbly ladder and fame's Faustian pact; and of the collision between youthful idealism and jaded reality as the Sixties drew to a close.

Above all, this bewitching novel celebrates the power of music to connect across divides, define an era and thrill the soul.

'The great rock and roll novel - an epic love letter to the greatest music ever made and the book the music has always deserved' Tony Parsons

Detaljer

Forlag
Sceptre
Innbinding
Innbundet
Språk
Engelsk
Sider
576
ISBN
9781444799422
Utgivelsesår
2020
Format
24 x 16 cm

Anmeldelser

«A book bristling with pleasures . . . An overwhelmingly vivid - and equally exhilarating - portrait of an era when the future seemed likely to be shaped by a combination of young people and music. At the same time, there's a melancholy sense of the transience of this idealism . . . Utopia Avenue confirms that his real talent - perhaps even genius - lies in finding wildly entertaining new ways to tell old truths.»

Spectator

«With his huge electric brain, Mitchell has written his own solo scenius, one that draws connections between Edo-era Japan and a distant, post-human-collapse future. It's a grand project, brilliantly executed and deeply humanist. Utopia Avenue is the most fun stop along the way and aptly named»

Los Angeles Times

«A consistently absorbing book, which skilfully conveys the excitement and mayhem of the era, and the hopes and dreams of those swept up in it»

Economist

«The great rock and roll novel - an epic love letter to the greatest music ever made and the book the music has always deserved»

Tony Parsons

«Mitchell, whose novels range through different modes and genres with extraordinary facility, has a lucid, kinetic style at all times, but he is never more impressive than when writing in close third person about characters in altered mental states - captivity, physical pain, madness . . . A conventional story of a band's rise turns into a book on another plane entirely»

New Yorker

«His narrative has the addictive quality of the best music journalism, mixed with superb period detail and fine storytelling. An escape in time and space. A trip. A blast»

Songlines

«The band members leap off the page, the musical references will appeal to anyone who grew up in that decade (or those who just love its music) and the writing is, as ever, stunning»

Good Housekeeping

«It's Daisy Jones & the Six on acid»

Entertainment Weekly

«[Mitchell] tells a linear tale and eschews literary pirouetting to create a set of characters and recreate a period with . . . [such] superb believability . . . Gig upon gig conjures that danger and euphoria of the live experience of amplified sound . . . Mitchell rescues this brief slice of the past, made so poignant because its brilliance was so ephemeral, and brings it into the shimmering present. The result is that Utopia Avenue does what music does: it joins up time.»

Serena Davies, Daily Telegraph

«What makes it a stand-out triumph is the vibrant flair with which it recreates an era, the acuteness with which it explores composition and performance, and its often witty verbal finesse»

Sunday Times

«A lively, colourful, emotional roller-coaster of a read that lingers long after you turn the final page»

Sunday Express

«A 1960s music epic»

Books of the Year, Guardian

«Highly entertaining»

Times Literary Supplement

«Superb . . . enormous fun . . . a celebratory page-turner»

Literary Review

«A great book! I was completely engrossed for two days.»

Brian Eno

«An ambitious, rambunctious, hugely enjoyable tale . . . [it] is filled with sparkling dialogue and has stimulating things to say about creativity, mental health, the effects of domestic violence, the Vietnam War, grief, parental responsibility and what it was perhaps like to be an independent-minded female musician back in the day»

Independent

«Utterly groovy . . . wonderful . . . A beautifully rendered four-part harmony»

Jake Arnott, author of <i>The Long Firm</i>

«Fast-moving and compelling»

Tablet

«One of his most satisfying works. The dialogue really sings»

Mail on Sunday

«One of the many delights of Utopia Avenue is seeing the cosmic dust of genius swirling in chaos before the stars are formed . . . If you can't hear the music reverberating off these pages, you're not listening»

Washington Post

«Mitchell is pitch-perfect on the past . . . He manages to write about goodness without any mawkishness. This is not an easy task, and to link it to redemption is even more challenging, but it works»

Scotland on Sunday

«[Mitchell]'s work has been compared to that of Haruki Murakami, Thomas Pynchon and Anthony Burgess. But he occupies a field of his own. His eight novels are experimental but approachable. His sentences can be lyrical, but his prose is propulsive. Beneath the layers of references and unconventional structures lie lucid narratives. Mitchell's obsessions - beyond the fictional meta-universe he has created - are with human voyages of self-actualization; the process of figuring out who we are, and how we connect, in the brief time we have»

Time

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