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Beloved Vision

Music in the Romantic Age

Everyone loves romantic music: the sweet melody of a Schubert song, the heroine dying for love in an Italian opera, the swooning orchestration of a Tchaikovsky symphony. But as Stephen Walsh - author of the highly praised Debussy: A Painter in Sound - points out in this intensely absorbing study, there is infinitely more to romantic music than meets the eye. Les mer

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Everyone loves romantic music: the sweet melody of a Schubert song, the heroine dying for love in an Italian opera, the swooning orchestration of a Tchaikovsky symphony. But as Stephen Walsh - author of the highly praised Debussy: A Painter in Sound - points out in this intensely absorbing study, there is infinitely more to romantic music than meets the eye. The Beloved Vision amounts to a complete, entertaining and singularly readable account of the whole phase in music history that has become the mainstay of the twentieth and twenty-first century concert and operatic repertoire, with some little help from earlier times.

The narrative begins in the eighteenth century, with C.P.E. Bach, Haydn and the literary movement known as Sturm und Drang, seen as a reaction of the individual artist to the confident certainties of the Enlightenment. The windows are flung open, and everything to do with style, form, even technique, is exposed to the emotional and intellectual weather, the impulses and preferences of the individual composer. Risk taking - the braving of the unknown - was certainly an important part of what the composers wanted to do, as true of Chopin and Verdi as it is of Berlioz and Wagner. It's an exciting, colourful, story, told with passion but also with the precision and clarity of detail for which this author is so widely admired.

Detaljer

Forlag
Faber & Faber
Innbinding
Innbundet
Språk
Engelsk
Sider
432
ISBN
9780571356959
Utgivelsesår
2022
Format
23 x 15 cm

Om forfatteren

Stephen Walsh is a leading English writer and broadcaster on classical music, the author of several books on Igor Stravinsky including a major two-volume biography, a large-scale study of the Russian nationalist group of composers known as the kuchka or Mighty Handful, and most recently a highly praised biography of Claude Debussy. He was for many years deputy music critic of the Observer newspaper, and also a regular critic for The Times, Financial Times and, more recently, The Independent. He now reviews for a leading arts website, theartsdesk.com. From 1976 to 2013 he was a lecturer, then professor on the music faculty at Cardiff University, and is now an Emeritus Professor of that university. He lives in Herefordshire with his wife, two dogs, two horses, seven sheep and too many squirrels.

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