«It is a fascinating and disturbing vision of a society which becomes an accidental theocracy... A rather brilliant conceit, worthy of George Orwell…Submission is a fascinating and original dystopia – challenging and ambiguous. It is a vision of what could happen if the West finally abandoned liberal enlightenment values and fell into the arms of religion.»

Herald

«Houellebecq has an unerring, Balzacian flair for detail, and his novels provide an acute, disenchanted anatomy of French middle-class life … Houellebecq writes about Islam with curiosity, fascination, even a hint of envy.»

London Review of Books

«There are echoes of Albert Camus’s outsider, Meursault, in François’ lack of emotion and relentless cynicism…Submission, expertly translated by Lorin Stein, can be read on a number of levels. As much as it is about Islamic and political tensions in France, Houellebecq also explores the inner world of his chauvinistic antihero who struggles to find meaning in his life and seeks solace in sex.»

Independent on Sunday

«Extraordinary… if there is anyone in literature today, not just in French but worldwide, who is thinking about the sort of enormous shifts we all feel are happening, it’s him.»

Emmanuel Carrère, Le Monde

«Michel Houllebecq's Submission is many things: comic, profound, and at times unexpectedly moving. It is much more about human nature than Islam, and to think otherwise is to misunderstand it. Of the several suicide notes for the west Houellebecq has written, this is his best.»

Richard Flanagan, Observer

«A work of real literary distinction…[Houellebecq] has been the novelist who has most fearlessly and presciently tackled the rise of Islamic extremism in recent years…He is a writer with a gift for telling the truth, unlike any other in our time – I’ve been consistently saying he is the writer who matters most to me for many years now. I’ve read Submission twice in the last week with ever growing admiration and enjoyment. There’s been no English-language novel this good lately. With Submission Houellebecq has inserted himself right into the centre of the intellectual debate that was already raging in France about Islam and identity politics…There is nobody else writing now more worth reading.»

David Sexton, Evening Standard

«One cannot be said to be keeping abreast of contemporary literature without reading his work.»

Karl Ove Knausgaard, New York Times

«The narration is enjoyably sardonic, a pungent mixture of deadpan jokes about sexual politics and close reading…Darkly clever and funny.»

Guardian

«A fine, deeply literary work…It is genuinely more admiring than critical of Islam…It’s electrifying; no recent English-language novel compares.»

Spectator

«Witty and deft…The polemical power of his imagination…approaches that of two 20th-century masterpieces, Nineteen Eighty Four and Brave New World…This is an important novel…It’s worth remembering that Houellebecq has form in demonstrating that life sometimes imitates art.»

Financial Times

«Houellebecq’s latest, Submission, brings his project to its most accessible realization yet. What’s the project? Jerking your chain at the highest possible level, which a lot of people can sense from the vibe around Houellebecq, and therefore pre-emptively avoid. You shouldn’t. The free and wild play of his hatred for modernity and its usual self-flattering reassurances is a tonic to be relished. Houellebecq’s respect for his avowed models – Lovecraft, and here, Huysmans, reveals a sturdy commitment to older narrative forms, even genres – he’s a horror writer, here updating the ‘Deal-with-the-devil’ tale. Lorin Stein’s relaxed translation catches how Houellebecq’s insouciant revulsion for propriety, and his congenital self-loathing, trickles down into a vernacular full of tiny slippages in and out of bourgeois formality, somewhat akin to Inspector Clouseau trying to recapture his authoritativeness after a pratfall. In the past these have read as errors of tone, but in Submission, they’re as funny as I think Houellebecq intends.»

Jonathan Lethem