Projecting Tomorrow
Science Fiction and Popular Cinema
Prof James Chapman ; Nicholas J. Cull
Cinema and science fiction were made for each other. The science fiction genre has produced some of the most extraordinary
films ever made, yet science fiction cinema is about more than just special effects. Les mer
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Vår pris:
373,-
(Paperback)
Fri frakt!
Leveringstid:
Sendes innen 21 dager
Cinema and science fiction were made for each other. The science fiction genre has produced some of the most extraordinary
films ever made, yet science fiction cinema is about more than just special effects. This exploration of the genre examines
landmark science fiction films from the 1930s onwards.
- FAKTA
-
Utgitt:
2013
Forlag: Bloomsbury Publishing PLC
Innbinding: Paperback
Språk: Engelsk
Sider: 256
ISBN: 9781780764108
Format: 23 x 16 cm
- KATEGORIER:
- SERIE:
- VURDERING
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Gi vurdering
Les vurderinger
Acknowledgements
List of Illustrations
Introduction
Dry Future: Just Imagine (1930)
The Prophet and the Showman: Things to Come (1936)
Screening Wells for Cold War America: The War of the Worlds (1953)
The British Invasions: The Quatermass Experiment (1955), Quatermass 2 (1957) and Quatermass and the Pit (1967)
Sex and the Single Robot: Forbidden Planet (1956)
The Watershed: 2001: A Space Odyssey (1968)
Monkey Business: Planet of the Apes (1968)
Stretching the Genre: The Hellstrom Chronicle (1971)
Future Imperfect: Logan's Run (1976)
No Time for Sorrows: Star Wars (1977)
Rustbelt Messiah: RoboCop (1987)
The Image as Hero: Avatar (2009)
Afterword
Filmography
Index
List of Illustrations
Introduction
Dry Future: Just Imagine (1930)
The Prophet and the Showman: Things to Come (1936)
Screening Wells for Cold War America: The War of the Worlds (1953)
The British Invasions: The Quatermass Experiment (1955), Quatermass 2 (1957) and Quatermass and the Pit (1967)
Sex and the Single Robot: Forbidden Planet (1956)
The Watershed: 2001: A Space Odyssey (1968)
Monkey Business: Planet of the Apes (1968)
Stretching the Genre: The Hellstrom Chronicle (1971)
Future Imperfect: Logan's Run (1976)
No Time for Sorrows: Star Wars (1977)
Rustbelt Messiah: RoboCop (1987)
The Image as Hero: Avatar (2009)
Afterword
Filmography
Index
James Chapman is Professor of Film Studies at the University of Leicester, UK. His previous books include The British at War:
Cinema, State and Propaganda, 1939-1945(1998), and Licence To Thrill: A Cultural History of the James Bond Films (2nd edn
2007), both from I.B.Tauris. He is editor of the Historical Journal of Film, Radio and Television. Nicholas J. Cull is Professor
of Public Diplomacy in the Annenberg School for Communication and Journalism at the University of Southern California in Los
Angeles. His previous books include The Cold War and the United States Information Agency: American Propaganda and Public
Diplomacy, 1945-1989(2008) and (with James Chapman), Projecting Empire: Imperialism and Popular Cinema (I.B.Tauris, 2009).
He is president of the International Association for Media and History.