«It is well known that the first reception of Russian literature in China was largely via Japan, but full-scale research has not yet been undertaken. Xiaolou Ma has broken through the language barrier and has accomplished the feat of presenting her research results to the world in sophisticated English, using Russian, Japanese, and Chinese (her native language) sources. It is rare for someone in the humanities to be able to work up to the level of writing a book of this caliber in English. Hats off to the author for her outstanding language skills and her extraordinary effort in completing a large scale cross-cultural and cross-spatial study.»
Mitsuyoshi Numano, Professor Emeritus of Contemporary Literary Studies, University of Tokyo
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«It is well known that the first reception of Russian literature in China was largely via Japan, but full-scale research has not yet been undertaken. Xiaolou Ma has broken through the language barrier and has accomplished the feat of presenting her research results to the world in sophisticated English, using Russian, Japanese, and Chinese (her native language) sources. It is rare for someone in the humanities to be able to work up to the level of writing a book of this caliber in English. Hats off to the author for her outstanding language skills and her extraordinary effort in completing a large scale cross-cultural and cross-spatial study.»
Mitsuyoshi Numano, Professor Emeritus of Contemporary Literary Studies, University of Tokyo
«Packaged with an overpowering amount of primary materials and secondary sources, this book is a major study of triangular comparisons and interactions of Russo-Japanese-Sino transculturation across a broad landscape from Pushkin to Lu Xun, all based on the author’s own intimate command of three languages: Russian, Japanese, and Chinese. The author, Xiaolu Ma, writes in a dense but elegant style, whose knowledge of the Russian language gives her a great advantage, as obscure texts appear in refreshing light in this 'trans-space' of modernity. All in all, this 'snapshot' turns out to be a masterful scholarly tome and definitely a major achievement.»
Leo Ou-fan Lee, Professor Emeritus of Chinese Literature, Harvard University
«In this very original and theoretically sophisticated study, Xiaolu Ma explores the complex processes of cultural exchange whereby key works of Russian literature were translated into Chinese via Japan. She demonstrates how through triangulation with the Russian and Japanese worlds of letters, a model of modernity was offered to China that was different from that of the West. Using the concept of relay transculturation, and with impressive mastery of three languages, she offers subtle and detailed readings of key works and their translators.»
Stephen Smith, Emeritus Fellow, All Souls College, Oxford University