Buddha in the Attic

«A lithe stunner»

«To watch Emperor catching on with teachers and students in vast numbers is to grasp what must have happened at the outset for novels like Lord of the Flies and To Kill a Mockingbird»

«The tone is often incantatory, and though the language is direct, unconvoluted, almost without metaphor, its true and very unusual merit lies, I think, in that indefinable quality we call poetry»

«A kind of collective memoir that squeezes volumes of experience into a small space . . . more than a history lesson because Otsuka compresses the individual emotions into one haunting story»

«Her trick is to sum up a few life story in a few tantalising sentences, moving on to the next at lightning speed. The result is panoramic, each line opening a window on to the world of one woman after another, pinpointing each one's hopes and happiness or misery and pain»

«Intriguing . . . fleeting, singular images pile up and reverberate against each other to strange, memorable effect»

«Spare but resonant, powerful, evocative»

«A stunning feat of empathetic imagination and emotional compression, capturing the experience of thousands of women»

«Spare and stunning . . . Otsuka has created a tableau as intricate as the pen strokes her humble immigrant girls learned to use in letters to loved ones they'd never see again»

«A delicate, heartbreaking portrait . . . beautifully rendered . . . Otsuka's prose is precise and rich with imagery. [Readers] will finish this exceptional book profoundly moved.»

«This chorus of narrators speaks in a poetry that is both spare and passionate, sure to haunt even the most coldhearted among us»

«A tender, nuanced, empathetic exploration of the sorrows and consolations of a whole generation of women»

«A haunting and heartbreaking look at the immigrant experience . . . Otsuka's keenly observed prose manages to capture whole histories in a sweep of gorgeous incantatory sentences»

«Sweeping, symphonic, empathic . . . subtle, infinitely skilful . . . an exhilarating, compulsive read. Otsuka's haunting, heartbreaking conclusion, in the aftermath of Pearl Harbor, is faultless»

«Paints a poignant, moving portrait of immigration by deftly weaving together a chorus of voices. Fascinating and tragic in equal measure»

«Novels written in the first person plural are rare. It's a narrative device that gives The Buddha in the Attic a deliciously melancholy quality . . . Powerful, lyrical and almost unbearably sad»

«Powerfully moving . . . intensely lyrical . . . verges on the edge of poetry»