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Christmas Carol – A Ghost Story

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'Fabulous... irresistibly theatrical... Gatiss has pulled off a clever trick... a big, bold, inventive, yet remarkably faithful staging of Dickens's evergreen opus'

»

Telegraph

It’s Christmas Eve. As the cold, bleak night draws in, the penny-pinching Ebenezer Scrooge is confronted
by the spirit of his former business partner, Jacob Marley. Bound in chains as punishment for a lifetime of greed, the unearthly figure explains it isn’t too late for Scrooge to change his miserly ways in order to escape the same fate. Les mer

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It’s Christmas Eve. As the cold, bleak night draws in, the penny-pinching Ebenezer Scrooge is confronted
by the spirit of his former business partner, Jacob Marley. Bound in chains as punishment for a lifetime of greed, the unearthly figure explains it isn’t too late for Scrooge to change his miserly ways in order to escape the same fate. But first he’ll have to face three more eerie encounters... Mark Gatiss’ spine-tingling adaptation is faithful to the heart and spirit of Charles Dickens’ much- loved festive ghost story – with an emphasis on the ghostly. Commissioned by Nottingham Playhouse, the adaptation premiered there in 2021, starring Nicholas Farrell alongside Gatiss. It subsequently transferred to Alexandra Palace Theatre, London

Detaljer

Forlag
Nick Hern Books
Innbinding
Paperback
Språk
Engelsk
ISBN
9781839040566
Utgivelsesår
2021
Format
20 x 13 cm

Om forfatteren

Charles Dickens (1812-1870) was an English writer and social critic who is generally regarded as the greatest novelist of the Victorian period. His major works include: The Pickwick Papers (1836), Oliver Twist (1837–9), Nicholas Nickleby (1838–9), A Christmas Carol (1843), Martin Chuzzlewit (1843–4), David Copperfield (1849–50), Bleak House (1852–3), Hard Times (1854), Little Dorrit (1855–7), A Tale of Two Cities (1859), Great Expectations (1860–1), Our Mutual Friend (1864–5) and the unfinished The Mystery of Edwin Drood (1870), as well as other novels, books and short stories. None of his major works has ever gone out of print.

Mark Gatiss is an actor, writer and producer. He first found success with The League of Gentlemen, with whom he won the Perrier Award at the Edinburgh Festival Fringe in 1997, and went on to enjoy a radio series and three TV series on the BBC and big-screen outing in 2005. He has written nine episodes of Doctor Who since its return to television in 2005 and has appeared in the show twice. He is perhaps best known as the co-creator and co-writer of the award-winning global phenomenon Sherlock in which he also plays Mycroft Holmes. Other notable television credits include London Spy, Wolf Hall, Coalition, Mapp and Lucia, The Crimson Petal and the White, Nighty, Night, The Wind and the Willows and Sense and Sensibility. Film credits include The Knot, Denial, Absolutely Fabulous, Dad's Army, Our Kind of Traitor, Bright Young Things and Starter for Ten. Theatre credits include Coriolanus, The Recruiting Officer, The Vote (Donmar Warehouse), All About My Mother (The Old Vic), Season's Greetings (National Theatre), 55 Days (Hampstead), and Three Days in the Country (National Theatre), for which he won an Olivier Award for Best Supporting Actor.

Anmeldelser

«

'Fabulous... irresistibly theatrical... Gatiss has pulled off a clever trick... a big, bold, inventive, yet remarkably faithful staging of Dickens's evergreen opus'

»

Telegraph

«

'Gatiss's script is surprisingly faithful... remind[ing] us of the inherent theatricality in Dickens's storytelling... Gatiss also includes Dickens's dark comedy that is so often overlooked... a clever twist and a great surge in festive feeling'

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Guardian

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'Superb... spooky and darkly funny... puts a smile on your face'

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The Times

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'Transports us with its magical stream of verbal and visual narratives... Gatiss's adaptation keeps much of the original text of the well-known classic story yet brings it even more alive by blending in deft verbal brushstrokes of natural language fashioned with such a keen ear for story-telling that he never loses the sense of history'

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Whatsonstage

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'Mark Gatiss gives us his own interpretation that demonstrates there are still new ways of looking at Dickens's 1843 novella... a slick, clever, uplifting production'

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British Theatre Guide

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