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Crossing Cultural Borders Through the Actor's Work

Foreign Bodies of Knowledge

«

"…an excellent, concise contribution to the field…The book is a welcome addition to any cultural theatre curriculum or, for that matter, any advanced acting program." --Jim Williams, Winona State University, Theatre Journal

"Based on theoretical and practical data as well as on personal experience, the author presents a very coherent and readable book which may be of great interest both for experts and laypersons, for theatre scholars and scholars of cultural studies, literature and others." --Susan Mahmody, Theater Forschung

"This examination of intercultural performance is – in almost every respect – a very welcome addition to the field. It challenges its readers to rethink assumptions regarding artistic agency, collaboration, and theatrical border-crossing." -- Kathleen M. Gough, University of Glasgow, New Theatre Quarterly

»

Offers an analysis of how the intersection of technique, memory, and imagination inform performance. This study reveals how assumptions based on race or ethnicity are misguiding, trouble definitions of intra- and intercultural practices. Les mer

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Offers an analysis of how the intersection of technique, memory, and imagination inform performance. This study reveals how assumptions based on race or ethnicity are misguiding, trouble definitions of intra- and intercultural practices.

Detaljer

Forlag
Routledge
Innbinding
Innbundet
Språk
Engelsk
Sider
180
ISBN
9780415988872
Utgivelsesår
2008
Format
23 x 15 cm

Anmeldelser

«

"…an excellent, concise contribution to the field…The book is a welcome addition to any cultural theatre curriculum or, for that matter, any advanced acting program." --Jim Williams, Winona State University, Theatre Journal

"Based on theoretical and practical data as well as on personal experience, the author presents a very coherent and readable book which may be of great interest both for experts and laypersons, for theatre scholars and scholars of cultural studies, literature and others." --Susan Mahmody, Theater Forschung

"This examination of intercultural performance is – in almost every respect – a very welcome addition to the field. It challenges its readers to rethink assumptions regarding artistic agency, collaboration, and theatrical border-crossing." -- Kathleen M. Gough, University of Glasgow, New Theatre Quarterly

»

«

"…an excellent, concise contribution to the field…The book is a welcome addition to any cultural theatre curriculum or, for that matter, any advanced acting program." --Jim Williams, Winona State University, Theatre Journal

"Based on theoretical and practical data as well as on personal experience, the author presents a very coherent and readable book which may be of great interest both for experts and laypersons, for theatre scholars and scholars of cultural studies, literature and others." --Susan Mahmody, Theater Forschung

"This examination of intercultural performance is – in almost every respect – a very welcome addition to the field. It challenges its readers to rethink assumptions regarding artistic agency, collaboration, and theatrical border-crossing." -- Kathleen M. Gough, University of Glasgow, New Theatre Quarterly

»

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