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Crossing Cultural Borders Through the Actor's Work
Foreign Bodies of Knowledge
«
"…an excellent, concise contribution to the field…The book is a welcome addition to any cultural theatre curriculum or, for that matter, any advanced acting program." --Jim Williams, Winona State University, Theatre Journal
"Based on theoretical and practical data as well as on personal experience, the author presents a very coherent and readable book which may be of great interest both for experts and laypersons, for theatre scholars and scholars of cultural studies, literature and others." --Susan Mahmody, Theater Forschung
"This examination of intercultural performance is – in almost every respect – a very welcome addition to the field. It challenges its readers to rethink assumptions regarding artistic agency, collaboration, and theatrical border-crossing." -- Kathleen M. Gough, University of Glasgow, New Theatre Quarterly
»
Offers an analysis of how the intersection of technique, memory, and imagination inform performance. This title redirects the intercultural debate by focusing exclusively on the actor at work. It draws from original interviews with Ang Gey Pin (formerly with the Workcenter of Jerzy Grotowski and Thomas Richards) and Roberta Carreri (Odin Teatret). Les mer
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Offers an analysis of how the intersection of technique, memory, and imagination inform performance. This title redirects the intercultural debate by focusing exclusively on the actor at work. It draws from original interviews with Ang Gey Pin (formerly with the Workcenter of Jerzy Grotowski and Thomas Richards) and Roberta Carreri (Odin Teatret).
Detaljer
- Forlag
- Routledge
- Innbinding
- Paperback
- Språk
- Engelsk
- Sider
- 194
- ISBN
- 9780415884006
- Utgivelsesår
- 2010
- Format
- 23 x 15 cm
Anmeldelser
«
"…an excellent, concise contribution to the field…The book is a welcome addition to any cultural theatre curriculum or, for that matter, any advanced acting program." --Jim Williams, Winona State University, Theatre Journal
"Based on theoretical and practical data as well as on personal experience, the author presents a very coherent and readable book which may be of great interest both for experts and laypersons, for theatre scholars and scholars of cultural studies, literature and others." --Susan Mahmody, Theater Forschung
"This examination of intercultural performance is – in almost every respect – a very welcome addition to the field. It challenges its readers to rethink assumptions regarding artistic agency, collaboration, and theatrical border-crossing." -- Kathleen M. Gough, University of Glasgow, New Theatre Quarterly
»
«
"…an excellent, concise contribution to the field…The book is a welcome addition to any cultural theatre curriculum or, for that matter, any advanced acting program." --Jim Williams, Winona State University, Theatre Journal
"Based on theoretical and practical data as well as on personal experience, the author presents a very coherent and readable book which may be of great interest both for experts and laypersons, for theatre scholars and scholars of cultural studies, literature and others." --Susan Mahmody, Theater Forschung
"This examination of intercultural performance is – in almost every respect – a very welcome addition to the field. It challenges its readers to rethink assumptions regarding artistic agency, collaboration, and theatrical border-crossing." -- Kathleen M. Gough, University of Glasgow, New Theatre Quarterly
»
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