«It's a great premise, and I dived into, and splashed around in, this book gleefully at first. Here were lucid and often amusing expositions on the work of Lennon and McCartney, Ian Fleming, JRR Tolkien, Christie ... in his books on Britain in the 1950s and 60s, Sandbrook has covered some of this ground before. But he doesn't repeat himself, and his scope is wider than heretofore - he notices, for instance, how ingrained Charles Dickens's influence is, still, in popular entertainment ... It would be impossible to please everyone. But when Sandbrook is pleasing, he is very pleasing indeed.»

Nick Lezard, Guardian

«Not only thoroughly entertaining, but crammed with as many serious insights as a shelf-ful of academic studies.»

Alwyn W Turner, The Telegraph

«Relentlessly entertaining»

Daisy Goodwin, Sunday Times

«I read it in less than two days, my attention never flagging ... It is dramatic, perceptive and often extremely funny»

John Preston, Spectator

«I read it in less than two days, my attention never flagging ... Embracing everything from Black Sabbath's guitarist, Tony Iommi, losing his fingers in a sheet metal press to the 2012 Olympic opening ceremony, it's dramatic, perceptive and often extremely funny.»

Books of the Year, Spectator

«It was hard to find a more convincing read ... a highly entertaining look at everything from The Avengers to Harry Potter that proclaims Britain as the champion of culture, spreading words and songs internationally like no other»

Books of the Year, Sunday Times

«Sandbrook's hugely enjoyable analysis of why we continue to punch above our weight in this area ... covers everything from boarding school tales (Tom Brown to Harry Potter) to country house tales (Brideshead and Downton), the works of Tolkien to the 2012 Olympics.»

Books of the Year, Mail on Sunday

«Delightfully good ... an exuberant and learned celebration of British culture»

Nick Cohen, Observer

«Engrossing ... delightful ... a book that relishes an argument and likes to challenge received opinion ... not only thoroughly entertaining, but crammed with as many serious insights as a shelf-ful of academic studies.»

Alwyn Turner, Daily Telegraph

«A marvellous read ... juicy, irresistible, restoring the past with all its delight, defeats and energy to the ageing spectator ... He delights in the sheer, tumbling crowdedness of British popular culture over the past half century or so, crams in at a terrific pace the innumerable stories of its successes, and lends the status of heroism to his favourite figures. The author catches with infectious excitement the cracking pace and headlong productivity of this teeming crowd.»

Fred Inglis, Times Higher Education Supplement

«Masterly ... lively and stimulating ... He loves to debunk received opinion.»

Robert Low, Standpoint

«A vivid, endlessly fascinating account of the numerous achievements of this country's national imagination. This book is my personal dream factory ... so invigorating and exciting.»

Jessie Thompson, Huffington Post

«Defiantly populist ... Dominic Sandbrook zestfully charts the route that has taken Britain from 'workshop of the world' to 'cultural superpower' ... as Sandbrook rightly insists, 'we still live in the shadow of the Victorians»

Boyd Tonkin, Independent

«An engaging and very accessible history book about our modern artistic achievements that, provocatively, also debunks some of the very icons it praises.»

Simon Copeland, The Sun

«I loved this book about British culture, partly because there's so much in it, and partly because of the brilliant way the author joins the dots ... Sandbrook gets us thinking about cinema, art, country houses, Tolkein, Doctor Who, and, superbly, much more.»

William Leith, Evening Standard

«An entertaining trawl through British culture ... [Sandbrook] has produced a book that is not only thoroughly enjoyable to read, but also crammed with as many serious insights as a shelf of academic studies»

The Times

«Sparkling ... fascinating ... always enlightening ... as usual with Sandbrook, there are some lovely vignettes and incongruous details ... Academic writers could certainly learn something from his lightness of touch and ability to build an argument.»

Joe Moran, Literary Review

«Beautifully written ... wonderfully counter-intuitive ... with an excellent feel for the contemporary pulse and the surprising killer detail ... I, too, have left out loads that Sandbrook has cleverly and incisively included.»

Nick Curtis, London Evening Standard

«Brilliant.»

A N Wilson, The Tablet