Heine and Critical Theory
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Tracing Heine's Jewish difference and its liberating comedy of irreverence in the thought of the Frankfurt School, the book situates the project of Critical Theory in the tradition of a praxis of critique, which Heine elevates to the art of public controversy. Heine's bold linking of aesthetics and political concerns anticipates the critical paradigm assumed by Benjamin and Adorno. Reading Critical Theory with Heine recovers a forgotten voice that has theoretically critical significance for the formation of the Frankfurt School.
With Heine, the project of Critical Theory can be understood as the sustained effort to advance the emancipation of the affects and the senses, at the heart of a theoretical vision that recognizes pleasure as the liberating force in the fight for freedom.
Introduction: Heine's Jewish Difference and the Project
of Critical Theory
1. Displacement, Relocation, and the Dialectic of a Constellation:
Heine, Critical Theory, and the New York Intellectuals
2. Heine's Readers: Marx, Nietzsche, and Freud
3. Heine's Dissonant Aesthetics
4. The Signifying Lizard: Language, Sign, and Play
5. Messiah in Golden Chains: Deferred Action and the Concept of History
6. The Comedy of Body and Mind: Emancipation and the Power of the Affects
7. Myths of Enlightenment: Heine's Secularization Narratives
8. Another Abraham, Another Sarah: Heine's Frankfurt Shul in The Rabbi of Bacherach
Examines the formative importance of Heinrich Heine - German poet, journalist, essayist, and literary critic - for Marx, Nietzsche and Freud, and his substantial influence on the Frankfurt school and the project of Critical Theory.