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Business and cultural pioneers don’t set out to light the world on fire but end up doing so through ingenuity and determination. While we often think of globalization as factories and container ships, the exchange of goods and ideas between nations starts with one person finding something people in another nation would value. Joanna Stingray was that one person who brought Soviet rock music to America and did so in remarkable fashion.
—Forbes

Thanks to a resourceful Los Angeles singer and songwriter who heard—and liked—their brand of Russian rock, the bands are now playing to a faraway audience. [...] The album is the brainchild of Joanna Stingray a.k.a. Joanna Fields, 25, who has been exploring the Soviet Union’s unofficial and unheralded rock world since 1984.
—Newsweek

Eight trips later she had ‘smuggled’ enough tapes of Kino and other groups out of the Soviet Union to produce an album, Red Wave–a kind of Greatest Hits of Socialist Rock. At first the Soviet press denigrated Stingray’s tales of the “brave little American miss helping the oppressed Soviet musicians” as a self-serving fantasy. Now, though, inspired by glasnost if not by greed, Soviet officialdom has cut a deal with her to produce 10 albums of “unofficial music” for consumption in the U.S.
—People Magazine

The music on Red Wave – which ranges from the ska-tinged pop of Kino to the brooding, introspective songwriting of Grebenshchikov – was recorded mostly in cramped living rooms transformed into home studios with borrowed two-track and eight-track equipment. The lyrics, sung in Russian (a translated lyric sheet is provided), are not overtly political. But veiled reference to politics shine through, as does a keen awareness of progressive Western rock.
—Rolling Stone

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