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Staging Shakespeare

A Director's Guide to Preparing a Production

«This is a powerful and useful book for directors and anyone interested in Shakespeare in the theatre. Kulick shows the wonderful ways that a director can combine research, study, and deep thought with flights of imagination and even dreams to bring Shakespeare to life on stage with vividness and originality.»

Barry Edelstein, Erna Finci Viterbi Artistic Director, The Old Globe Theatre, San Diego, USA

This book begins with a phone call. You answer it and learn that you got the job. Several months from now you’re going to stage a Shakespeare play. Now … what do you do? I mean, what do you do after that initial burst of adrenalin has passed through your body and you realize you haven’t a clue as to what the play is really about, or what you might want to do with it? How exactly do you prepare for such an equally wonderful and daunting task?

This is the central question of this book. Les mer

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This book begins with a phone call. You answer it and learn that you got the job. Several months from now you’re going to stage a Shakespeare play. Now … what do you do? I mean, what do you do after that initial burst of adrenalin has passed through your body and you realize you haven’t a clue as to what the play is really about, or what you might want to do with it? How exactly do you prepare for such an equally wonderful and daunting task?

This is the central question of this book. It grows out of decades of preparing for Shakespeare productions and watching others do the same. It will save you some of the panic, wasted time, and fruitless paths experienced. It guides you through the crucial period of preparation and helps focus on such issues as:

· What Shakespeare’s life, work, and world can tell us
· What patterns to look for in the text
· What techniques might help unpack Shakespeare’s verse
· What approaches might unlock certain hidden meanings
· What literary lenses might bring things into sharper focus
· What secondary sources might lead to a broader contextual understanding
· What thought experiments might aid in visualizing the play

Ultimately, this book draws back the curtain and shows how the antique machinery of Shakespeare’s theatre works. The imaginative time span begins from the moment you learn that on such and such date you will begin rehearsing such and such Shakespeare play. Our narrative clock starts ticking the moment you put down the phone and stops when you arrive at the rehearsal hall and begin your first table read. So much of what will be the success or failure of a director’s project rests on this work that is done before rehearsals even begin.

Detaljer

Forlag
Methuen Drama
Innbinding
Paperback
Språk
Engelsk
Sider
232
ISBN
9781350201026
Utgivelsesår
2021
Format
23 x 16 cm

Anmeldelser

«This is a powerful and useful book for directors and anyone interested in Shakespeare in the theatre. Kulick shows the wonderful ways that a director can combine research, study, and deep thought with flights of imagination and even dreams to bring Shakespeare to life on stage with vividness and originality.»

Barry Edelstein, Erna Finci Viterbi Artistic Director, The Old Globe Theatre, San Diego, USA

«Brian Kulick's Staging Shakespeare is wonderfully comprehensive, deeply informative, and like its author, so damn smart.»

George C. Wolfe

«This book is a kind of miracle. Kulick's extraordinary learning and experience are fused with a loving clarity, a detailed precision, and marvelous imaginative breadth. Any director of Shakespeare, novice or master, will find much to inspire and appreciate here. A must-read.»

Oskar Eustis

«Brian Kulick’s book is illuminated by his deep love for the plays of William Shakespeare. He writes from the perspective of an accomplished theater director who is also able to lucidly share his discoveries, his palpable curiosity and the vast pleasure in artistic engagement with the plays. His insights are assembled from a lifetime of scholarship and practice and are informed by his personal relationships with the cognoscenti of the contemporary theater world.»

Anne Bogart

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