Bernard Shaw's Fiction, Material Psychology, and Affect
Shaw, Freud, Simmel
This book traces the effects of materiality - including money and its opposite, poverty - on the psychical lives of George
Bernard Shaw and his characters. While this study focuses on the protagonists of the five novels Shaw wrote in the late 1870s and early 1880s, it also explores how materialism, feeling, and emotion are
linked throughout his entire canon. Les mer
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Paperback
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Paperback
Legg i
Vår pris:
1350,-
(Paperback)
Fri frakt!
Leveringstid: Sendes innen 21 dager
På grunn av Brexit-tilpasninger og tiltak for å begrense covid-19 kan det dessverre oppstå forsinket levering.
This book traces the effects of materiality - including money and its opposite, poverty - on the psychical lives of George
Bernard Shaw and his characters. While this study focuses on the protagonists of the five novels Shaw wrote in the late 1870s
and early 1880s, it also explores how materialism, feeling, and emotion are linked throughout his entire canon. At the same
time, it demonstrates how Shaw's conceptions of human subjectivity parallel those of two of his contemporaries, Sigmund Freud
and Georg Simmel. In particular, this book explores how theories of so-called 'marginal economics' influence fin de siecle
thought about human psychology and the sociology of the modern metropolis, particularly London.
1. Introduction: On Money, Psychology, and Affect in Bernard Shaw's Writing.2. The Materialist Dream Theatre: Affect and Value,
Freud and Simmel.3. Unashamed: Negative Affect, Money, and Performance in Immaturity and The Irrational Knot.4. Entr'acte
at the Theatre: Marriage, Money, and Desire in Love Among the Artists.5. Cashel Byron's Blush-and Others.6. The Antinomies
of An Unsocial Socialist.7. Postscript: Embodied Shaws.
Stephen Watt is Provost Professor of English and former Associate Dean in the College of Arts and Sciences at Indiana University
in Bloomington, USA. His most recent books include "Something Dreadful and Grand": American Literature and the Irish-Jewish
Unconscious (2015) and Beckett and Contemporary Irish Writing (2009).