Using Life
«The craziest and most inventive dystopian routine fails to tilt Using Life toward fantasy. Naji's skill is making such madness read like journalism. This reviewer has never been to Cairo; after reading this book, not only do I want to go, but I also want to take a bath. Imagine William S. Burroughs without the zest for life and underlying humanism.»
Rain Taxi
Upon its initial release in Arabic in the fall of 2014, Using Life received acclaim in Egypt and the wider Arab world. But in 2016, Ahmed Naji was sentenced to two years in prison after a reader complained that an excerpt published in a literary journal harmed public morality. Les mer
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Set in modern-day Cairo, Using Life follows a young filmmaker, Bassam Bahgat, after a secret society hires him to create a series of documentary films about the urban planning and architecture of Cairo. The plot in which Bassam finds himself ensnared unfolds in the novel's unique mix of text and black-and-white illustrations.
The Society of Urbanists, Bassam discovers, is responsible for centuries of world-wide conspiracies that have shaped political regimes, geographical boundaries, reigning ideologies, and religions. It is responsible for today's Cairo, and for everywhere else, too. Yet its methods are subtle and indirect: it operates primarily through manipulating urban architecture, rather than brute force. As Bassam immerses himself in the Society and its shadowy figures, he finds Cairo on the brink of a planned apocalypse, designed to wipe out the whole city and rebuild anew.
Detaljer
- Forlag
- University of Texas Press
- Innbinding
- Paperback
- Språk
- Engelsk
- ISBN
- 9781477314807
- Utgivelsesår
- 2017
- Format
- 24 x 17 cm
Anmeldelser
«The craziest and most inventive dystopian routine fails to tilt Using Life toward fantasy. Naji's skill is making such madness read like journalism. This reviewer has never been to Cairo; after reading this book, not only do I want to go, but I also want to take a bath. Imagine William S. Burroughs without the zest for life and underlying humanism.»
Rain Taxi
«Alan Moore meets Nahgib Mafouz in this exuberant, subversive novel by Egyptian writer Naji—who was jailed for his troubles. . . . A fly-on-the-wall view of an Egypt few outsiders know and one that, in its insistence on unveiled expression, offers hope for a more democratic future.»
Kirkus Reviews, starred review
«[Naji's] story, liberally and whimsically illustrated, follows a 'professional kiss-ass' who ends up stumbling upon a dystopian architectural conspiracy. The real revelation, though, is the cynicism and paralysis afflicting Bassam and his friends, victims of political and religious forces squandering a great city’s creativity.»
Vulture
«Using Life, which has been vividly translated into English by Benjamin Koerber, is a ribald, streetwise, outrageously inventive speculative fiction that hammers at the chaos and dysfunction of Egyptian life while testifying to the vitality of its counterculture. . . . Even as Egyptian authorities play to the dystopian script by attempting to punish the author for his heterodoxies, his book memorably celebrates the country’s underground seams of freedom and individual expression.»
Wall Street Journal
«[Using Life] is full of intimate familiarity, occasional tender scorn, and a fervent curiousity toward city and man's entwined fates that is also somehow cooly detached.»
Electric Literature
«The book is an experiment, wild and weird, full of non sequiturs and oddball imagery...Perhaps it is subversive precisely for its love of whimsy; in a culture beset with political gloom, it agitates for the freedom to be unserious.»
Harper's Magazine
«[A] book that infuses new urgency and excitement in the Egyptian, and now international, literary world.»
Words Without Borders