9/11
"Simpson's book is a necessary attempt to critically engage what we call '9/11' as a singular moment in the history of memory, as a cultural event. Its major contribution resides in that it forces us to reflect on the monumental imprint of 9/11 and on its dissemination and circulation in public mourning and remembrance, in architecture and memorialization. The book articulates a passionate and ethical call for cultural and theoretical analysis." - Gil Anidjar, Columbia University"
After the terrorist attacks of September 11, 2001, a general sense that the world was different - that nothing would ever be the same - settled upon a grieving nation; and the events of that day were received as cataclysmic disruptions of an ordered world. Les mer
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In four elegant chapters - two of which expand on essays originally published in the "London Review of Books" to great acclaim - Simpson analyzes the response to 9/11: the nationally syndicated "Portraits of Grief" obituaries in the "New York Times"; the debates over the rebuilding of the World Trade Center towers and the memorial design; the representation of American and Iraqi dead after the invasion of March 2003, along with the worldwide circulation of the Abu Ghraib torture photographs; and the urgent and largely ignored critique of homeland rhetoric from the domain of critical theory. Calling for a sustained cultural and theoretical analysis, "9/11" is the first book of its kind to consider the events of that tragic day with a perspective so firmly grounded in the humanities and so persuasive about the contribution they can make to our understanding of its consequences.
Detaljer
- Forlag
- University of Chicago Press
- Innbinding
- Innbundet
- Språk
- Engelsk
- Sider
- 176
- ISBN
- 9780226759388
- Utgivelsesår
- 2006
- Format
- 2 x 2 cm
Anmeldelser
"Simpson's book is a necessary attempt to critically engage what we call '9/11' as a singular moment in the history of memory, as a cultural event. Its major contribution resides in that it forces us to reflect on the monumental imprint of 9/11 and on its dissemination and circulation in public mourning and remembrance, in architecture and memorialization. The book articulates a passionate and ethical call for cultural and theoretical analysis." - Gil Anidjar, Columbia University"