«“The centering of molas and of Guna epistemologies, the radically de-colonial ways in which contributors came to the piece, and the deep process of vigilance and protection that went into the creation of Chocolate Woman Dreams the Milky Way are all deeply provocative and form a much-needed intervention in the fields of theatre, dance, and performance studies, as well as Indigenous and anti/post-colonial studies.”—Julie Burelle, University of California San Diego

“The scholarship is groundbreaking in the innovative way that perspectives are linked and put in dialogue with each other. This book makes an enormous contribution, paying careful attention to the cultural contexts in which the creative methods are deployed to ensure that the method and cultural aims match up.” —Ann Elizabeth Armstrong, Miami University of Ohio»